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Few American playwrights have exerted as much influence on the contemporary stage as Sam Shepard. His plays are performed on and off Broadway and in all the major regional American theatres. They are also widely performed and studied in Europe, particularly in Britain, Germany and France, finding both a popular and scholarly audience. In this collection of seventeen original essays, American and European authors from different professional and academic backgrounds explore the various aspects of Shepard's career - his plays, poetry, music, fiction, acting, directing and film work. The volume…mehr

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Produktbeschreibung
Few American playwrights have exerted as much influence on the contemporary stage as Sam Shepard. His plays are performed on and off Broadway and in all the major regional American theatres. They are also widely performed and studied in Europe, particularly in Britain, Germany and France, finding both a popular and scholarly audience. In this collection of seventeen original essays, American and European authors from different professional and academic backgrounds explore the various aspects of Shepard's career - his plays, poetry, music, fiction, acting, directing and film work. The volume covers the major plays, including Curse of the Starving Class, Buried Child, and True West, as well as other lesser known but vitally important works. A thorough chronology of Shepard's life and career, together with biographical chapters, a note from the legendary Joseph Chaikin, and an interview with the playwright, give a fascinating first-hand account of an exuberant and experimental personality.

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Autorenporträt
Matthew Roudané, Professor of English at Georgia State University in Atlanta, specializes in American Drama. He has published widely on recent American theater, including Understanding Edward Albee (1987), Conversations with Arthur Miller (1987), Contemporary American Dramatists (1989), Who''s Afraid of Virginia Woolf?: Necessary Fictions, Terrifying Realities (1990), Public Issues, Private Tensions: Contemporary American Drama (1993), Approaches to Teaching Miller''s Death of a Salesman (1995), American Drama since 1960: A Critical History (1996), and The Cambridge Companion to Tennessee Williams (1997). He also is a contributor to Christopher Bigsby''s The Cambridge Companion to Arthur Miller and to Don Wilmeth and Christopher Bigsby''s The Cambridge History of American Drama, Vol. 3 (2000). Roudané is the editor of the South Atlantic Review.