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The sculptural history of the long 1980s has been dominated by New British Sculpture and Young British Artists. Arguing for a more expansive history of British sculpture and its supporting infrastructures, these twenty-three vivid and enthralling interviews with artists, curators, dealers and facilitators working then demonstrate the interconnected networks, diversity of ideas and practices, energy, imagination and determination that transformed British art from being marginal to internationally celebrated.
With a substantial introduction, this timely volume provides valuable new insights
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Produktbeschreibung
The sculptural history of the long 1980s has been dominated by New British Sculpture and Young British Artists. Arguing for a more expansive history of British sculpture and its supporting infrastructures, these twenty-three vivid and enthralling interviews with artists, curators, dealers and facilitators working then demonstrate the interconnected networks, diversity of ideas and practices, energy, imagination and determination that transformed British art from being marginal to internationally celebrated.

With a substantial introduction, this timely volume provides valuable new insights into the education, work, careers, studios, infrastructures and exhibitions of the artists and facilitators, substantially enlarging our understanding of the era.
Autorenporträt
Imogen Racz is an art historian and former Associate Head of School for Research at Coventry University, UK. She is the author of British Art of the Long 1980s: Diverse Practices, Exhibitions and Infrastructures (Bloomsbury, 2020) and Art and the Home: Comfort, Alienation and the Everyday (Bloomsbury, 2015).