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Attention Spans ' chronological review of Garrett Stewart's critical approach tracks and maps the evolution of intersecting disciplines from late New Criticism through structuralism, deconstruction, narrative theory (by way of narratography), poetics, and media studies, in which Stewart's has been so persistent and so eloquent a voice. Excerpts from his twenty books are framed by editorial retrospect, then linked by Stewart's own commentary on the variety - and underlying vectors - of his interpretive career across aesthetic forms, from Victorian narrative to recent American fiction, classic…mehr
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Attention Spans' chronological review of Garrett Stewart's critical approach tracks and maps the evolution of intersecting disciplines from late New Criticism through structuralism, deconstruction, narrative theory (by way of narratography), poetics, and media studies, in which Stewart's has been so persistent and so eloquent a voice. Excerpts from his twenty books are framed by editorial retrospect, then linked by Stewart's own commentary on the variety - and underlying vectors - of his interpretive career across aesthetic forms, from Victorian narrative to recent American fiction, classic celluloid cinema to postfilmic digital effects, inert book sculpture and literary wordplay to the soundscape of singing on screen. Accompanied by a glossary of his many influential coinages, this cornucopia of analyses is also a chronicle of evolving paradigms in the work of intensive reading.
Produktdetails
- Produktdetails
- Verlag: Bloomsbury Publishing Inc
- Seitenzahl: 376
- Erscheinungstermin: 25. Januar 2024
- Englisch
- ISBN-13: 9798765102251
- Artikelnr.: 69480479
- Verlag: Bloomsbury Publishing Inc
- Seitenzahl: 376
- Erscheinungstermin: 25. Januar 2024
- Englisch
- ISBN-13: 9798765102251
- Artikelnr.: 69480479
Garrett Stewart is the James O. Freedman Professor of Letters at the University of Iowa, USA, having previously held teaching appointments at Boston University, the University of California at Santa Barbara, Stanford University, Princeton University, and the Universities of London (Queen Mary), Konstanz, and Fribourg (Switzerland). He is the author of 18 books, including Novel Violence (2009), which was awarded the Perkins Prize for the best book on narrative (International Society for the Study of Narrative), and Between Film and Screen (1999), which was a short-listed finalist for the Kraszna-Krausz Moving Image Book Award. In 2010 he was elected to the American Academy of Arts and Sciences.
An Introduction in Retrospect / David LaRocca Inventory as Itinerary /
Garrett Stewart TexTcerpts / Garrett Stewart I. Dickens as Prompt Text 1 /
Trials - and Test Sites Dickens and the Trials of Imagination (1974) 2 /
Death Sentencing and Narrative Parole Death Sentences: Styling of Dying in
British Fiction (1984) II. Reading In, Reading Out 3 / Literary Graphonics
Reading Voices: Literature and the Phonotext (1990) 4 / Re: Reading Under
Address Dear Reader: The Conscripted Audience in Nineteenth-Century British
Fiction (1996) III. Discipline Bridging 5 / From Imprint to Motion Picture
Between Film and Screen: Modernism's Photo Synthesis (1999) 6 / Pages
Painted, Writing Withdrawn The Look of Reading: Book, Painting, Text
(2006) 7 / From Celluloid to Digitime Framed Time: Toward a Postfilmic
Cinema (2007) IV. Convergences: Mediation Revisited 8 / Mapping the
Narrative Substrate Novel Violence: A Narratography of Victorian Fiction
(2009) 9 / Reading Foreclosed/Text Reinvented Bookwork: Medium to Object to
Concept to Art (2011) 10 / The Narrative Optics of Surveillancinema Closed
Circuits: Screening Narrative Surveillance (2015) V. Medium, Philosophy,
Concept 11 / Textual Act as Contract The Deed of Reading: Literature *
Writing * Language * Philosophy (2015) 12 / Material Transference and
Medial Merger Transmedium: Conceptualism 2.0 and the New Object Art (2017)
VI. Reading Style/Styles of Reading 13 / Verbal Expenditures, Narrative
Dividents The Value of Style in Fiction (2018) 14 / The Dickens Page, In
and Out Loud The One, Other, and Only Dickens (2018) 15 / Bookhood in
Evolution Book, Text, Medium: Cross-Sectional Reading for a Digital Age
(2020) VII. Kinetic Textuality 16 / Cinemachination and the Legible
Apparatus Cinemachines: An Essay on Media and Method (2020) 17 / Museum
Screens Cinesthesia: Museum Cinema and the Curated Screen (2021) 18 /
Toward a Cinematographic Sentence The Ways of the Word: Episodes in Verbal
Attention (2022) VIII. Audiovisual Mirrors: Screening Text and Voice 19 /
Reflex Reading The Metanarrative Hall of Mirrors: Reflex Action in Fiction
and Film (2022) 20 / The Legible Voice Streisand: The Mirror of Difference
(2023) IX. Audioptics X. Coverage A Dialogue on Critical Conversation Terms
of Use: Coinagse Cashed Out - A Selective Glossary Timelines: A
Topographical Bibliography Acknowledgments Contributors
Garrett Stewart TexTcerpts / Garrett Stewart I. Dickens as Prompt Text 1 /
Trials - and Test Sites Dickens and the Trials of Imagination (1974) 2 /
Death Sentencing and Narrative Parole Death Sentences: Styling of Dying in
British Fiction (1984) II. Reading In, Reading Out 3 / Literary Graphonics
Reading Voices: Literature and the Phonotext (1990) 4 / Re: Reading Under
Address Dear Reader: The Conscripted Audience in Nineteenth-Century British
Fiction (1996) III. Discipline Bridging 5 / From Imprint to Motion Picture
Between Film and Screen: Modernism's Photo Synthesis (1999) 6 / Pages
Painted, Writing Withdrawn The Look of Reading: Book, Painting, Text
(2006) 7 / From Celluloid to Digitime Framed Time: Toward a Postfilmic
Cinema (2007) IV. Convergences: Mediation Revisited 8 / Mapping the
Narrative Substrate Novel Violence: A Narratography of Victorian Fiction
(2009) 9 / Reading Foreclosed/Text Reinvented Bookwork: Medium to Object to
Concept to Art (2011) 10 / The Narrative Optics of Surveillancinema Closed
Circuits: Screening Narrative Surveillance (2015) V. Medium, Philosophy,
Concept 11 / Textual Act as Contract The Deed of Reading: Literature *
Writing * Language * Philosophy (2015) 12 / Material Transference and
Medial Merger Transmedium: Conceptualism 2.0 and the New Object Art (2017)
VI. Reading Style/Styles of Reading 13 / Verbal Expenditures, Narrative
Dividents The Value of Style in Fiction (2018) 14 / The Dickens Page, In
and Out Loud The One, Other, and Only Dickens (2018) 15 / Bookhood in
Evolution Book, Text, Medium: Cross-Sectional Reading for a Digital Age
(2020) VII. Kinetic Textuality 16 / Cinemachination and the Legible
Apparatus Cinemachines: An Essay on Media and Method (2020) 17 / Museum
Screens Cinesthesia: Museum Cinema and the Curated Screen (2021) 18 /
Toward a Cinematographic Sentence The Ways of the Word: Episodes in Verbal
Attention (2022) VIII. Audiovisual Mirrors: Screening Text and Voice 19 /
Reflex Reading The Metanarrative Hall of Mirrors: Reflex Action in Fiction
and Film (2022) 20 / The Legible Voice Streisand: The Mirror of Difference
(2023) IX. Audioptics X. Coverage A Dialogue on Critical Conversation Terms
of Use: Coinagse Cashed Out - A Selective Glossary Timelines: A
Topographical Bibliography Acknowledgments Contributors
An Introduction in Retrospect / David LaRocca Inventory as Itinerary /
Garrett Stewart TexTcerpts / Garrett Stewart I. Dickens as Prompt Text 1 /
Trials - and Test Sites Dickens and the Trials of Imagination (1974) 2 /
Death Sentencing and Narrative Parole Death Sentences: Styling of Dying in
British Fiction (1984) II. Reading In, Reading Out 3 / Literary Graphonics
Reading Voices: Literature and the Phonotext (1990) 4 / Re: Reading Under
Address Dear Reader: The Conscripted Audience in Nineteenth-Century British
Fiction (1996) III. Discipline Bridging 5 / From Imprint to Motion Picture
Between Film and Screen: Modernism's Photo Synthesis (1999) 6 / Pages
Painted, Writing Withdrawn The Look of Reading: Book, Painting, Text
(2006) 7 / From Celluloid to Digitime Framed Time: Toward a Postfilmic
Cinema (2007) IV. Convergences: Mediation Revisited 8 / Mapping the
Narrative Substrate Novel Violence: A Narratography of Victorian Fiction
(2009) 9 / Reading Foreclosed/Text Reinvented Bookwork: Medium to Object to
Concept to Art (2011) 10 / The Narrative Optics of Surveillancinema Closed
Circuits: Screening Narrative Surveillance (2015) V. Medium, Philosophy,
Concept 11 / Textual Act as Contract The Deed of Reading: Literature *
Writing * Language * Philosophy (2015) 12 / Material Transference and
Medial Merger Transmedium: Conceptualism 2.0 and the New Object Art (2017)
VI. Reading Style/Styles of Reading 13 / Verbal Expenditures, Narrative
Dividents The Value of Style in Fiction (2018) 14 / The Dickens Page, In
and Out Loud The One, Other, and Only Dickens (2018) 15 / Bookhood in
Evolution Book, Text, Medium: Cross-Sectional Reading for a Digital Age
(2020) VII. Kinetic Textuality 16 / Cinemachination and the Legible
Apparatus Cinemachines: An Essay on Media and Method (2020) 17 / Museum
Screens Cinesthesia: Museum Cinema and the Curated Screen (2021) 18 /
Toward a Cinematographic Sentence The Ways of the Word: Episodes in Verbal
Attention (2022) VIII. Audiovisual Mirrors: Screening Text and Voice 19 /
Reflex Reading The Metanarrative Hall of Mirrors: Reflex Action in Fiction
and Film (2022) 20 / The Legible Voice Streisand: The Mirror of Difference
(2023) IX. Audioptics X. Coverage A Dialogue on Critical Conversation Terms
of Use: Coinagse Cashed Out - A Selective Glossary Timelines: A
Topographical Bibliography Acknowledgments Contributors
Garrett Stewart TexTcerpts / Garrett Stewart I. Dickens as Prompt Text 1 /
Trials - and Test Sites Dickens and the Trials of Imagination (1974) 2 /
Death Sentencing and Narrative Parole Death Sentences: Styling of Dying in
British Fiction (1984) II. Reading In, Reading Out 3 / Literary Graphonics
Reading Voices: Literature and the Phonotext (1990) 4 / Re: Reading Under
Address Dear Reader: The Conscripted Audience in Nineteenth-Century British
Fiction (1996) III. Discipline Bridging 5 / From Imprint to Motion Picture
Between Film and Screen: Modernism's Photo Synthesis (1999) 6 / Pages
Painted, Writing Withdrawn The Look of Reading: Book, Painting, Text
(2006) 7 / From Celluloid to Digitime Framed Time: Toward a Postfilmic
Cinema (2007) IV. Convergences: Mediation Revisited 8 / Mapping the
Narrative Substrate Novel Violence: A Narratography of Victorian Fiction
(2009) 9 / Reading Foreclosed/Text Reinvented Bookwork: Medium to Object to
Concept to Art (2011) 10 / The Narrative Optics of Surveillancinema Closed
Circuits: Screening Narrative Surveillance (2015) V. Medium, Philosophy,
Concept 11 / Textual Act as Contract The Deed of Reading: Literature *
Writing * Language * Philosophy (2015) 12 / Material Transference and
Medial Merger Transmedium: Conceptualism 2.0 and the New Object Art (2017)
VI. Reading Style/Styles of Reading 13 / Verbal Expenditures, Narrative
Dividents The Value of Style in Fiction (2018) 14 / The Dickens Page, In
and Out Loud The One, Other, and Only Dickens (2018) 15 / Bookhood in
Evolution Book, Text, Medium: Cross-Sectional Reading for a Digital Age
(2020) VII. Kinetic Textuality 16 / Cinemachination and the Legible
Apparatus Cinemachines: An Essay on Media and Method (2020) 17 / Museum
Screens Cinesthesia: Museum Cinema and the Curated Screen (2021) 18 /
Toward a Cinematographic Sentence The Ways of the Word: Episodes in Verbal
Attention (2022) VIII. Audiovisual Mirrors: Screening Text and Voice 19 /
Reflex Reading The Metanarrative Hall of Mirrors: Reflex Action in Fiction
and Film (2022) 20 / The Legible Voice Streisand: The Mirror of Difference
(2023) IX. Audioptics X. Coverage A Dialogue on Critical Conversation Terms
of Use: Coinagse Cashed Out - A Selective Glossary Timelines: A
Topographical Bibliography Acknowledgments Contributors