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This book examines the emergence of the European art market from the late middle ages to the early 19th century, including changing demand patterns and conditions of artistic creativity.
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This book examines the emergence of the European art market from the late middle ages to the early 19th century, including changing demand patterns and conditions of artistic creativity.
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Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 264
- Erscheinungstermin: 5. Dezember 2016
- Englisch
- ISBN-13: 9781351957045
- Artikelnr.: 49355989
- Verlag: Taylor & Francis
- Seitenzahl: 264
- Erscheinungstermin: 5. Dezember 2016
- Englisch
- ISBN-13: 9781351957045
- Artikelnr.: 49355989
Michael North is Professor and Head of the Dept of History at the Ernst-Moritz-Arndt Universitÿt, Greifswald,Germany; David Ormrod is Senior Lecturer in Economic & Social History at the University of Kent at Canterbury, UK.
Contents: Introduction; Art and its markets, Michael North & David Ormrod;
Manuscript acquisition by the Burgundian court and the market for books in
the 15th-century Netherlands, Wim Blockmans; Some aspects of the origins of
the art market in 15th-century Bruges, Maximiliaan P. J. Martens; Is art a
barometer of wealth? Medieval art exports to the far north of Europe, Jan
von Bonsdorff; Artistic enterprise and Spanish patronage: the art market
during the reign of Isabel of Castile (1474-1504), Mari-Tere Alvarez; The
Italian Renaissance courts' demand for the arts: the case of d'Este of
Ferrara (1471-1560), Guido Guerzoni; The Roman art market in the 16th and
17th century, Volker Reinhardt; The Upper German trade in art and
curiosities before the Thirty Years War, Renate Pieper; Pricing the
unpriced: how Dutch 17th-century painters determined the selling price of
their work, Marten Jan Bok; Dealer-dealer pricing in the mid 17th-century
Antwerp-to-Paris art trade, Neil de Marchil, Hans Van Miegroet and Matthew
E. Raiff; Probate inventories, public sales and the Parisian art market in
the 17th century, Antoine Schnapper; Art auctions in Germany during the
18th century, Thomas Ketelsen; Arenas of connoisseurship: auctioning art in
later Stuart England, Brian Cowan; The origins of the London art market,
1660-1730 , David Ormrod; Commerce and the commodity: graphic display and
selling new consumer goods in 18th-century England, Maxine Berg and Helen
Clifford; Intrigue, jewellery and economics: court culture and display in
England and France in 1780s, Marcia Pointon; Bibliography; Index.
Manuscript acquisition by the Burgundian court and the market for books in
the 15th-century Netherlands, Wim Blockmans; Some aspects of the origins of
the art market in 15th-century Bruges, Maximiliaan P. J. Martens; Is art a
barometer of wealth? Medieval art exports to the far north of Europe, Jan
von Bonsdorff; Artistic enterprise and Spanish patronage: the art market
during the reign of Isabel of Castile (1474-1504), Mari-Tere Alvarez; The
Italian Renaissance courts' demand for the arts: the case of d'Este of
Ferrara (1471-1560), Guido Guerzoni; The Roman art market in the 16th and
17th century, Volker Reinhardt; The Upper German trade in art and
curiosities before the Thirty Years War, Renate Pieper; Pricing the
unpriced: how Dutch 17th-century painters determined the selling price of
their work, Marten Jan Bok; Dealer-dealer pricing in the mid 17th-century
Antwerp-to-Paris art trade, Neil de Marchil, Hans Van Miegroet and Matthew
E. Raiff; Probate inventories, public sales and the Parisian art market in
the 17th century, Antoine Schnapper; Art auctions in Germany during the
18th century, Thomas Ketelsen; Arenas of connoisseurship: auctioning art in
later Stuart England, Brian Cowan; The origins of the London art market,
1660-1730 , David Ormrod; Commerce and the commodity: graphic display and
selling new consumer goods in 18th-century England, Maxine Berg and Helen
Clifford; Intrigue, jewellery and economics: court culture and display in
England and France in 1780s, Marcia Pointon; Bibliography; Index.
Contents: Introduction; Art and its markets, Michael North & David Ormrod;
Manuscript acquisition by the Burgundian court and the market for books in
the 15th-century Netherlands, Wim Blockmans; Some aspects of the origins of
the art market in 15th-century Bruges, Maximiliaan P. J. Martens; Is art a
barometer of wealth? Medieval art exports to the far north of Europe, Jan
von Bonsdorff; Artistic enterprise and Spanish patronage: the art market
during the reign of Isabel of Castile (1474-1504), Mari-Tere Alvarez; The
Italian Renaissance courts' demand for the arts: the case of d'Este of
Ferrara (1471-1560), Guido Guerzoni; The Roman art market in the 16th and
17th century, Volker Reinhardt; The Upper German trade in art and
curiosities before the Thirty Years War, Renate Pieper; Pricing the
unpriced: how Dutch 17th-century painters determined the selling price of
their work, Marten Jan Bok; Dealer-dealer pricing in the mid 17th-century
Antwerp-to-Paris art trade, Neil de Marchil, Hans Van Miegroet and Matthew
E. Raiff; Probate inventories, public sales and the Parisian art market in
the 17th century, Antoine Schnapper; Art auctions in Germany during the
18th century, Thomas Ketelsen; Arenas of connoisseurship: auctioning art in
later Stuart England, Brian Cowan; The origins of the London art market,
1660-1730 , David Ormrod; Commerce and the commodity: graphic display and
selling new consumer goods in 18th-century England, Maxine Berg and Helen
Clifford; Intrigue, jewellery and economics: court culture and display in
England and France in 1780s, Marcia Pointon; Bibliography; Index.
Manuscript acquisition by the Burgundian court and the market for books in
the 15th-century Netherlands, Wim Blockmans; Some aspects of the origins of
the art market in 15th-century Bruges, Maximiliaan P. J. Martens; Is art a
barometer of wealth? Medieval art exports to the far north of Europe, Jan
von Bonsdorff; Artistic enterprise and Spanish patronage: the art market
during the reign of Isabel of Castile (1474-1504), Mari-Tere Alvarez; The
Italian Renaissance courts' demand for the arts: the case of d'Este of
Ferrara (1471-1560), Guido Guerzoni; The Roman art market in the 16th and
17th century, Volker Reinhardt; The Upper German trade in art and
curiosities before the Thirty Years War, Renate Pieper; Pricing the
unpriced: how Dutch 17th-century painters determined the selling price of
their work, Marten Jan Bok; Dealer-dealer pricing in the mid 17th-century
Antwerp-to-Paris art trade, Neil de Marchil, Hans Van Miegroet and Matthew
E. Raiff; Probate inventories, public sales and the Parisian art market in
the 17th century, Antoine Schnapper; Art auctions in Germany during the
18th century, Thomas Ketelsen; Arenas of connoisseurship: auctioning art in
later Stuart England, Brian Cowan; The origins of the London art market,
1660-1730 , David Ormrod; Commerce and the commodity: graphic display and
selling new consumer goods in 18th-century England, Maxine Berg and Helen
Clifford; Intrigue, jewellery and economics: court culture and display in
England and France in 1780s, Marcia Pointon; Bibliography; Index.