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This book examines fundamental questions about funding for the arts: why should governments provide funding for the arts? What do the arts contribute to daily life? Do artists and their publics have a social responsibility? Challenging questionable assumptions about the state, the arts and a democratic society, Lambert Zuidervaart presents a vigorous case for government funding, based on crucial contributions the arts make to civil society. He argues that the arts contribute to democratic communication and a social economy, fostering the critical and creative dialogue that a democratic society…mehr

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Produktbeschreibung
This book examines fundamental questions about funding for the arts: why should governments provide funding for the arts? What do the arts contribute to daily life? Do artists and their publics have a social responsibility? Challenging questionable assumptions about the state, the arts and a democratic society, Lambert Zuidervaart presents a vigorous case for government funding, based on crucial contributions the arts make to civil society. He argues that the arts contribute to democratic communication and a social economy, fostering the critical and creative dialogue that a democratic society needs. Informed by the author's experience leading a non-profit arts organisation as well as his expertise in the arts, humanities and social sciences, this book proposes an entirely new conception of the public role of art with wide-ranging implications for education, politics and cultural policy.

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Autorenporträt
Lambert Zuidervaart is an emeritus professor of philosophy at the Institute for Christian Studies and the University of Toronto and a visiting scholar at Calvin University. He is the author of nine books in philosophy, including Artistic Truth, Social Philosophy after Adorno, and Religion, Truth, and Social Transformation. A resident of West Michigan, he sings in the Chamber Choir of Grand Rapids and two church choirs. His memoir Dog-Kissed Tears also appeared with Wipf and Stock.
Rezensionen
'[Zuidervaart] succinctly summarizes most major arguments in support of cultural goods or public art in economics and criticizes mundane economic arguments through thought-provoking philosophical contemplation.' Byung-Hee Soh, Journal of Cultural Economics