Mehmet-Ali Atac

Art and Immortality in the Ancient Near East (eBook, ePUB)

• Format: ePub

Produktbeschreibung

Discussions of apocalyptic thought and its sources in the ancient Near East, particularly Mesopotamia, have a long scholarly history, with a renewed interest and focus in the recent decades. Outside Assyriological scholarship as well, studies of the apocalyptic give significant credit to the ancient Near East, especially Babylonia and Iran, as potential sources for the manifestations of this phenomenon in the Hellenistic period. The emphasis on kingship and empire in apocalyptic modes of thinking warrants special attention paid to the regal art of ancient Mesopotamia and adjacent areas in its potential to express the relevant notions. In this book, Mehmet-Ali Atac demonstrates the importance of visual evidence as a source for apocalyptic thought. Focusing on the so-called investiture painting from Mari, he relates it to parallel evidence from the visual traditions of the Assyrian Empire, ancient Egypt, and Hittite Anatolia.

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Produktdetails

• Verlag: Cambridge University Press
• Erscheinungstermin: 8. März 2018
• Englisch
• ISBN-13: 9781108688406
• Artikelnr.: 54082096

Autorenporträt

Mehmet-Ali Ataç studied architecture, art history, and archaeology, earning his Ph.D. from Harvard Unviersity, Massachusetts in 2003. He was Whiting Post-doctoral Fellow in the Humanities at Princeton University, New Jersey (2003-2004) and Hetty Goldman Member in the School of Historical Studies at the Institute for Advanced Study, Princeton (2010-11). From 2004 to 2015, he taught at Bryn Mawr College, Pennsylvania. A scholar of the art of the ancient Near East, he is the author of The Mythology of Kingship in Neo-Assyrian Art (Cambridge, 2010).

Inhaltsangabe

Introduction
1. The 'investiture' painting from Mari
2. The iconographic analysis of the Mari painting
3. The flood myth as paradigm
4. The semantics of the frame of running spirals
5. Implications of sacral time and eschatology
6. The royal destiny: the 'garden scene' of Ashurbanipal revisited.