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Aristophanes (c. 460 - c. 380 BCE) was the most famous writer of Old Comedy plays in ancient Greece and his surviving works are the only examples of that style. His innovative and sometimes rough comedy could also hide more sophisticated digs at the political elite and deal with social issues such as cultural change and the role of women in society. Indeed, the plays of Aristophanes are not only a record of Greek theatre but also provide an invaluable insight into many of the political and social aspects of ancient Greece, from the practicalities of jury service to details of religious rituals…mehr

Produktbeschreibung
Aristophanes (c. 460 - c. 380 BCE) was the most famous writer of Old Comedy plays in ancient Greece and his surviving works are the only examples of that style. His innovative and sometimes rough comedy could also hide more sophisticated digs at the political elite and deal with social issues such as cultural change and the role of women in society. Indeed, the plays of Aristophanes are not only a record of Greek theatre but also provide an invaluable insight into many of the political and social aspects of ancient Greece, from the practicalities of jury service to details of religious rituals in major festivals.

Plato presents a fictional gathering of historical characters in his Symposium, but Aristophanes was still well known at the time of its creation (380s BCE) and, therefore, we may assume that the portrayal of Aristophanes reflected this fact and was recognisably accurate. The poet is presented as a rather amiable chap, sociable, and someone who ‘divides his time between Aphrodite and Dionysos’, i.e. likes women, boys, and wine. That Plato was favourably disposed to Aristophanes is evidenced in the positive tones of the epitaph he later wrote for the great poet. Plato did, however, in his Apology, blame the poet for fuelling a public distrust of Socrates.

Aristophanes was most probably instrumental in the evolution of the Greek comic theatre, for example, in the role of the chorus and the reduction in topical references. Using parody, puns, and bold and colourful language, he was able to convey the full spectrum of emotions and, through satire and ridiculous exaggeration, he poked fun at the more ridiculous facets of Greek city-life. Few public figures escaped his sharp wit, and politicians such as Kleon and fellow artists like Euripides were a favourite target as were, on occasion, the populace as a whole. 

Not all subjects could be given the comic treatment; for example, higher gods such as Zeus and Athena and certain aspects of Greek religion had to be given due respect and Aristophanes was once charged by the council of Athens when, in The Babylonians (426 BCE) and during wartime, he represented the Greek city-states as Babylonian slaves on a treadmill. Nevertheless, the plays of Aristophanes are indicative of the high degree of freedom of speech tolerated in 5th century BCE Athens.

 
Autorenporträt
W. Lucas Collins, a scholar of Classical antiquity and literature, is known for his contributions in the study and translation of ancient Greek texts. His noteworthy book 'Aristophanes' reflects his deep engagement with the eponymous playwright's works, providing readers with valuable insight into the comedic genius of ancient Athens. Collins' scholarly efforts bridge the gap between modern readers and the complex world of Old Attic comedy, delivering not just translations but also critical analyses that illuminate the social, political, and literary context of Aristophanes' plays. In his book, he elucidates the intrinsic humor and the enduring relevance of the themes tackled by Aristophanes, which ranged from political satire to social commentary. His literary style combines academic rigor with accessibility, allowing both scholars and casual readers to appreciate the wit and wisdom of one of Greece's greatest playwrights. Collins' work is marked by meticulous research, a clear understanding of Greek literature, and an ability to interpret ancient texts in a way that resonates with contemporary audiences. His contribution to the field of Classical studies continues to be a valuable resource for those interested in exploring the rich heritage of Greek literature and its enduring influence on Western culture.