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The cultural discourse of theatrical performance defines the theatre sign interaction as an active semiosis . This, in turn, specifies the main objective of the study - the formulation of the basic parameters of this architectonics as a fundament of théâtralité . Since the time of Antiquity the theatre has always been discussing general aesthetic, philosophical, ethical and social issues in the context of a visual image of the specific objects of an intellectual discourse. The book takes a close look at this process of signification, formation of meanings, presentation and interpretation on…mehr

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Produktbeschreibung
The cultural discourse of theatrical performance defines the theatre sign interaction as an active semiosis. This, in turn, specifies the main objective of the study - the formulation of the basic parameters of this architectonics as a fundament of théâtralité. Since the time of Antiquity the theatre has always been discussing general aesthetic, philosophical, ethical and social issues in the context of a visual image of the specific objects of an intellectual discourse. The book takes a close look at this process of signification, formation of meanings, presentation and interpretation on stage: a theatre performance is a product of an intense sign environment and a major symbol of theatricality.

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Autorenporträt
Ivaylo Alexandroff is a director, actor, theatre theorist, semiotician, choreographer and performer. He holds a MA in Theatre Arts from the Theatre Academy and a PhD in Philosophy and Semiotics from the New Bulgarian University in Sofia, Bulgaria, and is a specialist in the field of Argentine tango.