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Angel song: Medieval English music in history examines the ways in which the standard narratives of English musical history have been crafted, from the Middle Ages to the present. Colton challenges the way in which the concept of a canon of English music has been built around a handful of pieces (notably 'Sumer is icumen in'), composers (John Dunstaple), and practices (the contenance angloise ), each of which offer opportunities for a reappraisal of English musical and devotional cultures between 1250 and 1460.

Produktbeschreibung
Angel song: Medieval English music in history examines the ways in which the standard narratives of English musical history have been crafted, from the Middle Ages to the present. Colton challenges the way in which the concept of a canon of English music has been built around a handful of pieces (notably 'Sumer is icumen in'), composers (John Dunstaple), and practices (the contenance angloise), each of which offer opportunities for a reappraisal of English musical and devotional cultures between 1250 and 1460.


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Autorenporträt
Lisa Colton is a Senior Lecturer in Music at the University of Huddersfield, where she is also director of the Centre for the Study of Music, Gender and Identity. Her research interests focus on early and contemporary music from historical, critical and analytical perspectives. Lisa Colton's publications have included articles on medieval motets, manuscript sources, Judith Weir and Lady Gaga. She has co-edited two essay collections: Gender, Age and Musical Creativity (with Catherine Haworth), and Sources of Identity: Makers, owners and users of music sources before 1600 (with Tim Shephard).