Aesthetic (eBook, ePUB)
As Science of Expression and General Linguistic
Redaktion: Croce, Benedetto
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Aesthetic (eBook, ePUB)
As Science of Expression and General Linguistic
Redaktion: Croce, Benedetto
- Format: ePub
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Benedetto Croce is one of the most influential philosophers of the twentieth century
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Benedetto Croce is one of the most influential philosophers of the twentieth century
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Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 510
- Erscheinungstermin: 30. November 2017
- Englisch
- ISBN-13: 9781351288989
- Artikelnr.: 50406976
- Verlag: Taylor & Francis
- Seitenzahl: 510
- Erscheinungstermin: 30. November 2017
- Englisch
- ISBN-13: 9781351288989
- Artikelnr.: 50406976
Benedetto Croce
I: Theory of Æsthetic
I: Intuition and Expression
II: Intuition and Art
III: Art and Philosophy
IV: Historicism and Intellectualism in Æsthetic
V: Analogous Errors in the Theory of History and in Logic
VI: The Theoretic Activity and the Practical Activity
VII: Analogy Between the Theoretic and the Practical
VIII: Exclusion of Other Spiritual Forms
IX: Indivisibility of Expression Into Modes or Degrees and Criticism of Rhetoric
X: Æsthetic Feelings and the Distinction Between the Beautiful and the Ugly
XI: Criticism of Æsthetic Hedonism
XII: The Æsthetic of the Sympathetic and Pseudo-Æsthetic Concepts
XIII: The "Physically Beautiful" in Nature and in Art
XIV: Errors Arising from the Confusion Between Physics and Æsthetic
XV: The Activity of Externalization. Technique and the Theory of the Arts
XVI: Taste and the Reproduction of Art
XVII: The History of Literature and Art
XVIII: Conclusion: Identity of Linguistic and Æsthetic
II: History of Æsthetic
I: Æsthetic Ideas in GræCo-Roman Antiquity
II: Æesthetic Ideas in the Middle Ages and Renaissance
III: Ferments of Thought in the Seventeenth Century
IV: Æesthetic Ideas in the Cartesian and Leibnitian Schools, And the "Æsthetic" of Baumgarten
V: Giambattista Vico
VI: Minor Æsthetic Doctrines of the Eighteenth Century
VII: Other Æsthetic Doctrines of the Same Period
VIII: Immanuel Kant
IX: The Æsthetic of Idealism: Schiller, Schelling, Solger, Hegel
X: Schopenhauer and Herbart
XI: Friedrich Schleiermacher
XII: The Philosophy of Language: Humboldt and Steinthal
XIII: Minor German Æstheticians
XIV: Æsthetic in France, England and Italy During the First Half of the Nineteenth Century
XV: Francesco De Sanctis
XVI: Æsthetic of the Epigoni
XVII: Æsthetic Positivism and Naturalism
XVIII: Æsthetic Psychologism and Other Recent Tendencies
XIX: Historical Sketches of Some Particular Doctrines
I: Rhetoric: Or the Theory of Ornate Form
II: History of the Artistic and Literary Kinds
III: The Theory of the Limits of the Arts
IV: Other Particular Doctrines
Bibliographical Appendix
I: Intuition and Expression
II: Intuition and Art
III: Art and Philosophy
IV: Historicism and Intellectualism in Æsthetic
V: Analogous Errors in the Theory of History and in Logic
VI: The Theoretic Activity and the Practical Activity
VII: Analogy Between the Theoretic and the Practical
VIII: Exclusion of Other Spiritual Forms
IX: Indivisibility of Expression Into Modes or Degrees and Criticism of Rhetoric
X: Æsthetic Feelings and the Distinction Between the Beautiful and the Ugly
XI: Criticism of Æsthetic Hedonism
XII: The Æsthetic of the Sympathetic and Pseudo-Æsthetic Concepts
XIII: The "Physically Beautiful" in Nature and in Art
XIV: Errors Arising from the Confusion Between Physics and Æsthetic
XV: The Activity of Externalization. Technique and the Theory of the Arts
XVI: Taste and the Reproduction of Art
XVII: The History of Literature and Art
XVIII: Conclusion: Identity of Linguistic and Æsthetic
II: History of Æsthetic
I: Æsthetic Ideas in GræCo-Roman Antiquity
II: Æesthetic Ideas in the Middle Ages and Renaissance
III: Ferments of Thought in the Seventeenth Century
IV: Æesthetic Ideas in the Cartesian and Leibnitian Schools, And the "Æsthetic" of Baumgarten
V: Giambattista Vico
VI: Minor Æsthetic Doctrines of the Eighteenth Century
VII: Other Æsthetic Doctrines of the Same Period
VIII: Immanuel Kant
IX: The Æsthetic of Idealism: Schiller, Schelling, Solger, Hegel
X: Schopenhauer and Herbart
XI: Friedrich Schleiermacher
XII: The Philosophy of Language: Humboldt and Steinthal
XIII: Minor German Æstheticians
XIV: Æsthetic in France, England and Italy During the First Half of the Nineteenth Century
XV: Francesco De Sanctis
XVI: Æsthetic of the Epigoni
XVII: Æsthetic Positivism and Naturalism
XVIII: Æsthetic Psychologism and Other Recent Tendencies
XIX: Historical Sketches of Some Particular Doctrines
I: Rhetoric: Or the Theory of Ornate Form
II: History of the Artistic and Literary Kinds
III: The Theory of the Limits of the Arts
IV: Other Particular Doctrines
Bibliographical Appendix
I: Theory of Æsthetic
I: Intuition and Expression
II: Intuition and Art
III: Art and Philosophy
IV: Historicism and Intellectualism in Æsthetic
V: Analogous Errors in the Theory of History and in Logic
VI: The Theoretic Activity and the Practical Activity
VII: Analogy Between the Theoretic and the Practical
VIII: Exclusion of Other Spiritual Forms
IX: Indivisibility of Expression Into Modes or Degrees and Criticism of Rhetoric
X: Æsthetic Feelings and the Distinction Between the Beautiful and the Ugly
XI: Criticism of Æsthetic Hedonism
XII: The Æsthetic of the Sympathetic and Pseudo-Æsthetic Concepts
XIII: The "Physically Beautiful" in Nature and in Art
XIV: Errors Arising from the Confusion Between Physics and Æsthetic
XV: The Activity of Externalization. Technique and the Theory of the Arts
XVI: Taste and the Reproduction of Art
XVII: The History of Literature and Art
XVIII: Conclusion: Identity of Linguistic and Æsthetic
II: History of Æsthetic
I: Æsthetic Ideas in GræCo-Roman Antiquity
II: Æesthetic Ideas in the Middle Ages and Renaissance
III: Ferments of Thought in the Seventeenth Century
IV: Æesthetic Ideas in the Cartesian and Leibnitian Schools, And the "Æsthetic" of Baumgarten
V: Giambattista Vico
VI: Minor Æsthetic Doctrines of the Eighteenth Century
VII: Other Æsthetic Doctrines of the Same Period
VIII: Immanuel Kant
IX: The Æsthetic of Idealism: Schiller, Schelling, Solger, Hegel
X: Schopenhauer and Herbart
XI: Friedrich Schleiermacher
XII: The Philosophy of Language: Humboldt and Steinthal
XIII: Minor German Æstheticians
XIV: Æsthetic in France, England and Italy During the First Half of the Nineteenth Century
XV: Francesco De Sanctis
XVI: Æsthetic of the Epigoni
XVII: Æsthetic Positivism and Naturalism
XVIII: Æsthetic Psychologism and Other Recent Tendencies
XIX: Historical Sketches of Some Particular Doctrines
I: Rhetoric: Or the Theory of Ornate Form
II: History of the Artistic and Literary Kinds
III: The Theory of the Limits of the Arts
IV: Other Particular Doctrines
Bibliographical Appendix
I: Intuition and Expression
II: Intuition and Art
III: Art and Philosophy
IV: Historicism and Intellectualism in Æsthetic
V: Analogous Errors in the Theory of History and in Logic
VI: The Theoretic Activity and the Practical Activity
VII: Analogy Between the Theoretic and the Practical
VIII: Exclusion of Other Spiritual Forms
IX: Indivisibility of Expression Into Modes or Degrees and Criticism of Rhetoric
X: Æsthetic Feelings and the Distinction Between the Beautiful and the Ugly
XI: Criticism of Æsthetic Hedonism
XII: The Æsthetic of the Sympathetic and Pseudo-Æsthetic Concepts
XIII: The "Physically Beautiful" in Nature and in Art
XIV: Errors Arising from the Confusion Between Physics and Æsthetic
XV: The Activity of Externalization. Technique and the Theory of the Arts
XVI: Taste and the Reproduction of Art
XVII: The History of Literature and Art
XVIII: Conclusion: Identity of Linguistic and Æsthetic
II: History of Æsthetic
I: Æsthetic Ideas in GræCo-Roman Antiquity
II: Æesthetic Ideas in the Middle Ages and Renaissance
III: Ferments of Thought in the Seventeenth Century
IV: Æesthetic Ideas in the Cartesian and Leibnitian Schools, And the "Æsthetic" of Baumgarten
V: Giambattista Vico
VI: Minor Æsthetic Doctrines of the Eighteenth Century
VII: Other Æsthetic Doctrines of the Same Period
VIII: Immanuel Kant
IX: The Æsthetic of Idealism: Schiller, Schelling, Solger, Hegel
X: Schopenhauer and Herbart
XI: Friedrich Schleiermacher
XII: The Philosophy of Language: Humboldt and Steinthal
XIII: Minor German Æstheticians
XIV: Æsthetic in France, England and Italy During the First Half of the Nineteenth Century
XV: Francesco De Sanctis
XVI: Æsthetic of the Epigoni
XVII: Æsthetic Positivism and Naturalism
XVIII: Æsthetic Psychologism and Other Recent Tendencies
XIX: Historical Sketches of Some Particular Doctrines
I: Rhetoric: Or the Theory of Ornate Form
II: History of the Artistic and Literary Kinds
III: The Theory of the Limits of the Arts
IV: Other Particular Doctrines
Bibliographical Appendix