Peter Allen Stone
Acting for the Camera: Back to One (eBook, PDF)
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Peter Allen Stone
Acting for the Camera: Back to One (eBook, PDF)
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Acting for the Camera: Back to One is a "how to" book with simple, practical steps to achieve a professional performance on camera.
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Acting for the Camera: Back to One is a "how to" book with simple, practical steps to achieve a professional performance on camera.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 202
- Erscheinungstermin: 30. Mai 2021
- Englisch
- ISBN-13: 9781000386455
- Artikelnr.: 61648482
- Verlag: Taylor & Francis
- Seitenzahl: 202
- Erscheinungstermin: 30. Mai 2021
- Englisch
- ISBN-13: 9781000386455
- Artikelnr.: 61648482
Peter Allen Stone is the Head of Acting at the University of Kentucky Department of Theatre and Dance and the former Chair of Acting for Film at the New York Film Academy in New York City. He has worked as an actor in film, television, and theatre, and he assisted as an audition reader for major feature films at Mackey Sandrich Casting in New York City. He has trained students who have appeared on Broadway, Off-Broadway, in Hollywood and Bollywood films, and on many popular television shows.
Part 1: The Character's World 1. Preparation 2. Breaking Down the Script:
The Value of Beats 3. Given Circumstances & Relationships: Bring Life On 4.
Objective: Make It about the Other Character 5. Obstacles: Character
Problems Are Actor Gifts 6. Actions: Ocean vs Pond Acting 7. Character
Notebook: Mapping Out the Role Part 2: The Actor's World 8. Acting for the
Camera 9. Frame: Play the Piece of Pie 10. Size: Scaling the Performance
11. Action: What Do I Do Now? 12. Art of the Reaction: Help the Editor Make
You Look Great 13. Hitting the Mark: Skill vs Talent 14. Physical
Continuity: Acting with Props 15. Voice: Play the Distance 16. Camera Time:
Work with the Camera 17. The Final Beat: Focal Shifts and Cutting Points
Part 3: The Professional World 18. Auditioning 19. Learn from the Pros 20.
Ten Audition Tips to Help You Win 21. Industry Interviews Part 4: Self-Tape
like a Pro 22. Today's Actor: Production Skills 23. Studio Space: Find It
Now 24. Lights, Camera, & Sound: Building an Affordable Studio 25. Filming:
Slating, Intimacy, Props, the Reader 26. Editing & Submitting: It's an
Audition Not a Movie
The Value of Beats 3. Given Circumstances & Relationships: Bring Life On 4.
Objective: Make It about the Other Character 5. Obstacles: Character
Problems Are Actor Gifts 6. Actions: Ocean vs Pond Acting 7. Character
Notebook: Mapping Out the Role Part 2: The Actor's World 8. Acting for the
Camera 9. Frame: Play the Piece of Pie 10. Size: Scaling the Performance
11. Action: What Do I Do Now? 12. Art of the Reaction: Help the Editor Make
You Look Great 13. Hitting the Mark: Skill vs Talent 14. Physical
Continuity: Acting with Props 15. Voice: Play the Distance 16. Camera Time:
Work with the Camera 17. The Final Beat: Focal Shifts and Cutting Points
Part 3: The Professional World 18. Auditioning 19. Learn from the Pros 20.
Ten Audition Tips to Help You Win 21. Industry Interviews Part 4: Self-Tape
like a Pro 22. Today's Actor: Production Skills 23. Studio Space: Find It
Now 24. Lights, Camera, & Sound: Building an Affordable Studio 25. Filming:
Slating, Intimacy, Props, the Reader 26. Editing & Submitting: It's an
Audition Not a Movie
Part 1: The Character's World 1. Preparation 2. Breaking Down the Script:
The Value of Beats 3. Given Circumstances & Relationships: Bring Life On 4.
Objective: Make It about the Other Character 5. Obstacles: Character
Problems Are Actor Gifts 6. Actions: Ocean vs Pond Acting 7. Character
Notebook: Mapping Out the Role Part 2: The Actor's World 8. Acting for the
Camera 9. Frame: Play the Piece of Pie 10. Size: Scaling the Performance
11. Action: What Do I Do Now? 12. Art of the Reaction: Help the Editor Make
You Look Great 13. Hitting the Mark: Skill vs Talent 14. Physical
Continuity: Acting with Props 15. Voice: Play the Distance 16. Camera Time:
Work with the Camera 17. The Final Beat: Focal Shifts and Cutting Points
Part 3: The Professional World 18. Auditioning 19. Learn from the Pros 20.
Ten Audition Tips to Help You Win 21. Industry Interviews Part 4: Self-Tape
like a Pro 22. Today's Actor: Production Skills 23. Studio Space: Find It
Now 24. Lights, Camera, & Sound: Building an Affordable Studio 25. Filming:
Slating, Intimacy, Props, the Reader 26. Editing & Submitting: It's an
Audition Not a Movie
The Value of Beats 3. Given Circumstances & Relationships: Bring Life On 4.
Objective: Make It about the Other Character 5. Obstacles: Character
Problems Are Actor Gifts 6. Actions: Ocean vs Pond Acting 7. Character
Notebook: Mapping Out the Role Part 2: The Actor's World 8. Acting for the
Camera 9. Frame: Play the Piece of Pie 10. Size: Scaling the Performance
11. Action: What Do I Do Now? 12. Art of the Reaction: Help the Editor Make
You Look Great 13. Hitting the Mark: Skill vs Talent 14. Physical
Continuity: Acting with Props 15. Voice: Play the Distance 16. Camera Time:
Work with the Camera 17. The Final Beat: Focal Shifts and Cutting Points
Part 3: The Professional World 18. Auditioning 19. Learn from the Pros 20.
Ten Audition Tips to Help You Win 21. Industry Interviews Part 4: Self-Tape
like a Pro 22. Today's Actor: Production Skills 23. Studio Space: Find It
Now 24. Lights, Camera, & Sound: Building an Affordable Studio 25. Filming:
Slating, Intimacy, Props, the Reader 26. Editing & Submitting: It's an
Audition Not a Movie