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In this work, Elizabeth Burns Coleman analyses art from an Australian Aboriginal community to interpret Aboriginal claims about the relationship between their art, identity and culture, and how the art should be protected in law. This is an issue equally relevant to North American debates about the appropriation of indigenous art, and the book additionally engages with this literature.

Produktbeschreibung
In this work, Elizabeth Burns Coleman analyses art from an Australian Aboriginal community to interpret Aboriginal claims about the relationship between their art, identity and culture, and how the art should be protected in law. This is an issue equally relevant to North American debates about the appropriation of indigenous art, and the book additionally engages with this literature.

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Autorenporträt
Elizabeth Burns Coleman lectures in Moral and Political Philosophy at La Trobe University, Australia. She has held a postdoctoral fellowship at the Australian National University's Centre for Cross Cultural Research. She has lectured in aesthetics at the Australian National University, and published articles on cross cultural aesthetics and the ethical and political aspects of art, including appropriation, forgery, the use of nom de plume, and plagiarism.