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Stressing critical realism as the stratified, multi-causal approach needed for productive research today in the academy, this book creates the subject of the ontology of art history and sets aside a theoretical space for metaphysical reflection, thus clarifying the usually muddy distinction between theory, methodology and historiography in art history.

Produktbeschreibung
Stressing critical realism as the stratified, multi-causal approach needed for productive research today in the academy, this book creates the subject of the ontology of art history and sets aside a theoretical space for metaphysical reflection, thus clarifying the usually muddy distinction between theory, methodology and historiography in art history.


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Autorenporträt


Ian Verstegen
is an independent scholar living in Philadelphia. Trained in art history, he is an authority on early modern Italian art, especially the painter Federico Barocci, and his interests and publications extend to psychology, aesthetics, and philosophy. He is the editor of Maurice Mandelbaum and American Critical Realism (2010).