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This volume brings together perspectives from multimodal stylistics and adaptation studies for a unified theoretical analysis of adaptations of the work of Alice Munro, demonstrating the affordances of the approach in furthering interdisciplinary research at the intersection of these fields.
This volume brings together perspectives from multimodal stylistics and adaptation studies for a unified theoretical analysis of adaptations of the work of Alice Munro, demonstrating the affordances of the approach in furthering interdisciplinary research at the intersection of these fields.
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Sabrina Francesconi is Associate Professor of English Linguistics at the University of Trento. Her research interests are tourism and heritage discourses, adaptation studies, Canadian studies, humour studies, multimodal analysis, multimodal genre analysis, multimodal stylistics, and systemic-functional stylistics.
Inhaltsangabe
Contents 0. Introduction 1. Adapting Clothes, Peaches and Stories 2. A Panoramic Shot over Adaptations 3. Dissemination of Preliminary Results 4. Volume Outline Chapter 1. Adaptation(s) 1. Towards a Definition 2. The Limits and Risks of Fidelity 3. Intertextual Connections 4. Engaging Readers and Spectators 5. Adaptation as Process and as Product Chapter 2. Multimodal Stylistic Analysis 1. Multimodal Stylistics 2. A Socio-semiotic Metafunctional Framework 3. Forms and Functions of Speech 1. Film Dialogues and the Voice-in 2. Screen/Story Boundaries and The Voice-over 4. Lyrics, Volume, Melodies 5. Words on the Screen 6. Size of Frame and Angles 7. Movements 8. Colour and Light Choices and Changes 9. Beyond the Shot Chapter 3. Short Canadian Films 10. Boys and Girls 1. Gender and/as Space Representation 11. Thanks for the Ride 1. Film Music Framing Theme, Time and Tone 12. All about Connection 1. The Voice-over across Time Chapter 4. Extended Canadian Works 13. Lives of Girls and Women 1. Del's Relationship with her Mother 2. There is a Change Coming 3. Writing Things down 4. Struggle for Cohesion 14. Edge of Madness 1. "A Wilderness Station" as Historiographic Metafiction 2. Patterns of Adaptation 3. Closing in on Madness 4. Changes in the Film Adaptation 15. Away from Her: Closeness and Distance 1. Fiona's Approach to her Illness 2. Grant as Husband, Caregiver, and Focaliser 3. The Canadian Culture Chapter 5. International Screen Adaptations 16. Bending Fate in Hateship Loveship 1. Ankle Socks and Robust Shoes: Johanna 2. Writing Letters as Writing Life 17. Juliet Travelling to Spain 1. Almodóvar's Story of Adaptation(s) 2. Julieta's Letter-writing Scenes 3. Making Logical Connections Clear 18. From Canada to Canaan: An Iranian Journey 1. Criss-crossing Characters 2. A Disturbance, a Definite Picture, a Dream 3. From Unpainted Houses to the Promised Land Concluding Remarks Index
Contents 0. Introduction 1. Adapting Clothes, Peaches and Stories 2. A Panoramic Shot over Adaptations 3. Dissemination of Preliminary Results 4. Volume Outline Chapter 1. Adaptation(s) 1. Towards a Definition 2. The Limits and Risks of Fidelity 3. Intertextual Connections 4. Engaging Readers and Spectators 5. Adaptation as Process and as Product Chapter 2. Multimodal Stylistic Analysis 1. Multimodal Stylistics 2. A Socio-semiotic Metafunctional Framework 3. Forms and Functions of Speech 1. Film Dialogues and the Voice-in 2. Screen/Story Boundaries and The Voice-over 4. Lyrics, Volume, Melodies 5. Words on the Screen 6. Size of Frame and Angles 7. Movements 8. Colour and Light Choices and Changes 9. Beyond the Shot Chapter 3. Short Canadian Films 10. Boys and Girls 1. Gender and/as Space Representation 11. Thanks for the Ride 1. Film Music Framing Theme, Time and Tone 12. All about Connection 1. The Voice-over across Time Chapter 4. Extended Canadian Works 13. Lives of Girls and Women 1. Del's Relationship with her Mother 2. There is a Change Coming 3. Writing Things down 4. Struggle for Cohesion 14. Edge of Madness 1. "A Wilderness Station" as Historiographic Metafiction 2. Patterns of Adaptation 3. Closing in on Madness 4. Changes in the Film Adaptation 15. Away from Her: Closeness and Distance 1. Fiona's Approach to her Illness 2. Grant as Husband, Caregiver, and Focaliser 3. The Canadian Culture Chapter 5. International Screen Adaptations 16. Bending Fate in Hateship Loveship 1. Ankle Socks and Robust Shoes: Johanna 2. Writing Letters as Writing Life 17. Juliet Travelling to Spain 1. Almodóvar's Story of Adaptation(s) 2. Julieta's Letter-writing Scenes 3. Making Logical Connections Clear 18. From Canada to Canaan: An Iranian Journey 1. Criss-crossing Characters 2. A Disturbance, a Definite Picture, a Dream 3. From Unpainted Houses to the Promised Land Concluding Remarks Index
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