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A Marginal Sea is written from the vantage point of Ynys Môn/Anglesey, which is both on the edge of Wales and in a marginal sea of the Atlantic Ocean - the island is imagined here as a site of archipelagic connection with other places and histories, where the spaces of dream and digital technology are interwoven with the everyday. Skoulding's poems take their readers into new worlds: we come to terms with the oystercatcher's 'muscle of belonging'; we chart the cross-cultural coordinates of 'Newborough Warren with Map of Havana' ('and it's this way to the Malecón /to look out over the Menai…mehr

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Produktbeschreibung
A Marginal Sea is written from the vantage point of Ynys Môn/Anglesey, which is both on the edge of Wales and in a marginal sea of the Atlantic Ocean - the island is imagined here as a site of archipelagic connection with other places and histories, where the spaces of dream and digital technology are interwoven with the everyday. Skoulding's poems take their readers into new worlds: we come to terms with the oystercatcher's 'muscle of belonging'; we chart the cross-cultural coordinates of 'Newborough Warren with Map of Havana' ('and it's this way to the Malecón /to look out over the Menai Strait'); elegy and song overlap in moving poems which think through how we remember and misremember: 'it's my voice // deepening with others that won't let themselves / be buried.' ('Anecdote for the Birds'). A Marginal Sea is inventive, exhilarating in its soundscapes, and brilliantly awake to otherness, in language, and in the animal and natural world.


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Autorenporträt
Zoë Skoulding is Professor of Poetry and Creative Writing at Bangor University. Her collections of poetry (published by Seren Books) include The Mirror Trade (2004); Remains of a Future City (2008), shortlisted for Wales Book of the Year; The Museum of Disappearing Sounds (2013), shortlisted for Ted Hughes Award for New Work in Poetry; and Footnotes to Water (2019), which was a Poetry Book Society Recommendation and won the Wales Book of the Year Poetry Award 2020. In 2020 she also published The Celestial Set-Up (Oystercatcher) and A Revolutionary Calendar (Shearsman). Her critical work includes two monographs, Contemporary Women's Poetry and Urban Space: Experimental Cities (Palgrave Macmillan, 2013), and Poetry & Listening: The Noise of Lyric (Liverpool University Press, 2020). She received the Cholmondeley Award from the Society of Authors in 2018 for her body of work in poetry, and is a Fellow of the Learned Society of Wales.