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A galvanizing look at life on the margins of society by a crowning figure of Latin America's queer counterculture who celebrated "melodrama, kitsch, extravagance, and vulgarity of all kinds" (Garth Greenwell) in playful, performative, linguistically inventive essays, now available in English for the first time A Penguin Classic "I speak from my difference," wrote Pedro Lemebel, an openly queer writer and artist living through Chile's AIDS epidemic and the collapse of the Pinochet dictatorship. In brilliantly innovative essays-known as crónicas-that combine memoir, reportage, fiction, history,…mehr

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Produktbeschreibung
A galvanizing look at life on the margins of society by a crowning figure of Latin America's queer counterculture who celebrated "melodrama, kitsch, extravagance, and vulgarity of all kinds" (Garth Greenwell) in playful, performative, linguistically inventive essays, now available in English for the first time A Penguin Classic "I speak from my difference," wrote Pedro Lemebel, an openly queer writer and artist living through Chile's AIDS epidemic and the collapse of the Pinochet dictatorship. In brilliantly innovative essays-known as crónicas-that combine memoir, reportage, fiction, history, and poetry, he brought visibility and dignity to sexual minorities, the poor, and the powerless. Touching on everything from Che Guevara to Elizabeth Taylor, from the aftermath of authoritarian rule to the daily lives of Chile's locas-a slur for trans women and effeminate gay men that he boldly reclaims-his writing infuses political urgency with playfulness, realism with absurdism, and resistance with camp, and his AIDS crónicas immortalize a generation of Chileans doubly "disappeared" by casting each loca, as she falls sick, in the starring role of her own private tragedy. This volume brings together the best of his work, introducing readers of English to the subversive genius of a literary activist and queer icon whose acrobatic explorations of the Santiago demimonde reverberate around the world.

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Autorenporträt
Pedro Lemebel (1952-2015) is considered one of the most important queer writers of twentieth-century Latin America and was also an activist and a performance artist. Born in Santiago, Chile, he became a renowned voice of Latin American counterculture during the Pinochet dictatorship and its aftermath. He received Chile's José Donoso Prize and a Guggenheim Fellowship. He is best known for his crónicas and one novel, My Tender Matador, which has been translated into more than a dozen languages and was adapted in 2020 into a critically acclaimed film by Chilean director Rodrigo Sepúlveda. Gwendolyn Harper (editor/translator) won a National Endowment for the Arts fellowship and a Work in Progress grant from the Robert B. Silvers Foundation for A Last Supper of Queer Apostles. She holds an MFA from Brown University. Idra Novey (foreword) is the award-winning author of the novels Ways to Disappear, Those Who Knew, and Take What You Need. She lived in Chile for several years, returns often, and has translated work by various Chilean writers, including Nona Fernández and Marco Antonio de la Parra. Her own work has been translated into a dozen languages, and she's written for The Atlantic, The New York Times, and The Guardian. She teaches fiction writing at Princeton University.