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* A Handbook to Classical Reception in Eastern and Central Europe is the first comprehensive English ]language study of the reception of classical antiquity in Eastern and Central Europe. This groundbreaking work offers detailed case studies of thirteen countries that are fully contextualized historically, locally, and regionally. * The first English-language collection of research and scholarship on Greco-Roman heritage in Eastern and Central Europe * Written and edited by an international group of seasoned and up-and-coming scholars with vast subject-matter experience and expertise * Essays…mehr
* A Handbook to Classical Reception in Eastern and Central Europe is the first comprehensive English ]language study of the reception of classical antiquity in Eastern and Central Europe. This groundbreaking work offers detailed case studies of thirteen countries that are fully contextualized historically, locally, and regionally. * The first English-language collection of research and scholarship on Greco-Roman heritage in Eastern and Central Europe * Written and edited by an international group of seasoned and up-and-coming scholars with vast subject-matter experience and expertise * Essays from leading scholars in the field provide broad insight into the reception of the classical world within specific cultural and geographical areas * Discusses the reception of many aspects of Greco-Roman heritage, such as prose/philosophy, poetry, material culture * Offers broad and significant insights into the complicated engagement many countries of Eastern and Central Europe have had and continue to have with Greco-Roman antiquity
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Zara Martirosova Torlone is Professor in the Department of Classics at Miami University, USA. She is the author of Russia and the Classics (2009) and Vergil in Russia (2015), editor of Classical Reception in Eastern Europe (a special issue of Classical Receptions Journal), and co-editor of Insiders and Outsiders in Russian Cinema (with Stephen Norris, 2008). She has written numerous articles concerning classical literature and its reception, especially in Russian culture. Dana LaCourse Munteanu is Associate Professor in the Department of Greek and Latin at Ohio State University, Newark, USA. She is the author of Tragic Pathos: Pity and Fear in Greek Philosophy and Tragedy (2012) and the editor of Emotion, Genre and Gender in Classical Antiquity (2011). She has written several articles on Greek philosophy, tragedy and the reception. Dorota Dutsch is Associate Professor of Classics at the University of California, Santa Barbara, USA. She is the author of Feminine Discourse in Roman Comedy: On Echoes and Voices (2008), and co‐editor of Women in the Drama of the Roman Republic (with David Konstan and Sharon James, 2015), Ancient Obscenities (with Ann Suter, 2015), and The Fall of the City in the Mediterranean (with Ann Suter and Mary Bachvarova, 2016).
Inhaltsangabe
List of Illustrations x
Notes on Contributors xii
Acknowledgments xix
Introduction 1 Zara Martirosova Torlone, Dana LaCourse Munteanu, and Dorota Dutsch
Part I Croatia 13 Neven Jovanovic
1 Classical Reception in Croatia: An Introduction 15 Neven Jovanovic
2 Pula and Split: The Early Modern Tale(s) of Two Ancient Cities 21 Jasenka Gudelj
3 Croatian Neo-Latin Literature and Its Uses 35 Neven Jovanovic
4 The First Dalmatian Humanists and the Classics: A Manuscript Perspective 46 Luka Spoljaric
5 The Swan Song of the Latin Homer 57 Petra Sostaric
Part II Slovenia 67 Marko Marincic
6 Classical Reception in Slovenia: An Introduction 69 Marko Marincic
7 Collecting Roman Inscriptions Beyond the Alps: Augustinus Tyfernus 74 Marjeta Sasel Kos
8 Sta. Maria sopra Siwa: Inventing a Slavic Venus 88 Marko Marincic
9 Images from Slovenian Dramatic and Theatrical Interpretations of Ancient Drama 99 Andreja N. Inkret
Part III Czech Republic 113 Jan Ba?ant
10 Classical Reception in the Czech Republic: An Introduction 115 Jan Ba?ant
11 Classical Antiquity in Czech Literature between the National Revival and the Avant-Garde 121 Daniela Cadkova
12 The Classical Tradition and Nationalism: The Art and Architecture of Prague, 1860-1900 133 Jan Ba?ant
13 The Case of the Oresteia: Classical Drama on the Czech Stage, 1889-2012 146 Alena Sarkissian
Part IV Poland 159 Dorota Dutsch
14 Classical Reception in Poland: An Introduction 161 Dorota Dutsch
15 From Fictitious Letters to Celestial Revolutions: Copernicus and the Classics 166 Dorota Dutsch and Francois Zdanowicz
16 Respublica and the Language of Freedom: The Polish Experiment 179 Anna Grzesk owiak-Krwawicz
17 Two Essays on Classical Reception in Poland 190 Jerzy Axer
18 Parallels between Greece and Poland in Juliusz SBowacki's Oeuvre 207 Maria Kalinowska
Part V Hungary 223 Farkas Gabor Kiss
19 Classical Reception in Hungary: An Introduction 225 Farkas Gabor Kiss
20 Classical Reception in Sixteenth-Century Hungarian Drama 233 Agnes Juhasz-Ormsby
21 Truditur dies die: Reading Horace as a Political Attitude in Nineteenth- and Twentieth-Century Hungary 245 Abel Tamas
22 The Shepherdess and the Myrmillo: The Sculptor Istvan Ferenczy and the Reception of Classical Antiquity in Hungary 260 Nora Veszpremi
Part VI Romania 277 Dana LaCourse Munteanu
23 Classical Reception in Romania: An Introduction 279 Radu Ardevan, Florin Berindeanu, and Ioan Piso
24 Loving Vergil, Hating Rome: Cos'buc as Translator and Poet 287 Carmen Fenechiu and Dana LaCourse Munteanu
25 Noica's Becoming within Being and Meno's Paradox 300 Octavian Gabor
26 Reception of the Tropaeum Traiani: Former Paths and Future Directions 312 Allison L.C. Emmerson
Part VII Bosnia-Herzegovina, Serbia, and Montenegro 327
Nada Zecevic
27 Classical Reception in Bosnia-Herzegovina, Serbia, and Montenegro: An Introduction 329 Nada Zecevic and Nenad Ristovic
28 Classical Antiquity in the Franciscan Historiography of Bosnia (Eighteenth Century) 336 Nada Zecevic
29 Innovative Impact of the Classical Tradition on Early Modern Serbian Literature 347 Nenad Ristovic
30 Classical Heritage in Serbian Lyric Poetry of the Twentieth Century: Jovan Ducic, Milos Crnjanski, and Ivan V. Lalic 360 Ana Petkovic
31 The Ancient Sources of Njegos's Poetics 373 Darko Todorovic
