A Devotee (eBook, ePUB) - Cholmondeley, Mary
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THE cathedral was crammed. The tall slender arches seemed to spring out of a vast sea of human heads. The orchestra and chorus had gradually merged into one person: one shout of praise, one voice of prayer, one wail of terror. The Elijah was in mid-career, sailing like a man-of-war upon the rushing waves of music. And presently there was a hush, and out of the hush a winged voice arose, as a lark rises out of a meadow, singing as it rises: 'O rest in the Lord, wait patiently for Him, and He shall give thee thy heart's desire.'

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Produktbeschreibung
THE cathedral was crammed. The tall slender arches seemed to spring out of a vast sea of human heads. The orchestra and chorus had gradually merged into one person: one shout of praise, one voice of prayer, one wail of terror. The Elijah was in mid-career, sailing like a man-of-war upon the rushing waves of music. And presently there was a hush, and out of the hush a winged voice arose, as a lark rises out of a meadow, singing as it rises: 'O rest in the Lord, wait patiently for Him, and He shall give thee thy heart's desire.'
Autorenporträt
Mary Cholmondeley (1859 - 1925) was an English novelist. She began writing with serious intent in her teens. She wrote in her journal in 1877, "What a pleasure and interest it would be to me in life to write books. I must strike out a line of some kind, and if I do not marry (for at best that is hardly likely, as I possess neither beauty nor charms) I should want some definite occupation, besides the home duties." She succeeded in publishing some stories in The Graphic and elsewhere. Her first novel was The Danvers Jewels (1887), a detective story that won her a small following. It appeared in the Temple Bar magazine published by Richard Bentley, after fellow novelist Rhoda Broughton had introduced her to George Bentley. It was followed by Sir Charles Danvers (1889), Diana Tempest (1893) and A Devotee (1897). The satirical Red Pottage (1899) was a best-seller on both sides of the Atlantic and is reprinted occasionally. It satirizes religious hypocrisy and the narrowness of country life and was denounced from a London pulpit as immoral. It was equally sensational because it "explored the issues of female sexuality and vocation, recurring topics in late-Victorian debates about the New Women." Despite the book's great success, however, the author received little money for it because she had sold the copyright.