A Companion to Eastern European Cinemas (eBook, PDF)

Redaktion: Imre, Anikó

• Format: PDF

Produktbeschreibung

A Companion to Eastern European Cinemas showcases twenty-five essays written by established and emerging film scholars that trace the history of Eastern European cinemas and offer an up-to-date assessment of post-socialist film cultures. * Showcases critical historical work and up-to-date assessments of post-socialist film cultures * Features consideration of lesser known areas of study, such as Albanian and Baltic cinemas, popular genre films, cross-national distribution and aesthetics, animation and documentary * Places the cinemas of the region in a European and global context * Resists the Cold War classification of Eastern European cinemas as "other" art cinemas by reconnecting them with the main circulation of film studies * Includes discussion of such films as Taxidermia, El Perro Negro, 12:08 East of Bucharest Big Tõll, and Breakfast on the Grass and explores the work of directors including Tamás Almási, Walerian Borowczyk, Roman Polanski, Jerzy Skolimowski, Andrzej u³awski, and Karel Vachek amongst many others

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Produktdetails

• Verlag: John Wiley & Sons
• Seitenzahl: 544
• Erscheinungstermin: 7. August 2012
• Englisch
• ISBN-13: 9781118294345
• Artikelnr.: 37346934

Autorenporträt

Anikó Imre is an Associate Professor of Critical Studies at University of Southern California School of Cinematic Arts. Her books include East European Cinemas (2005); Transnational Feminism in Film and Media (co-authored with Katarzyna Marciniak and Áine O'Healy, 2007); Identity Games: Globalization and the Transformation of Media Cultures in the New Europe (2009); and Popular Television in Eastern and Southern Europe (co-authored with Timothy Havens and Kati Lustyik, 2011). She is also co-editor of the Global Cinemas book series.

Inhaltsangabe

Notes on the Editor and Contributors viii Foreword xv Dina Iordanova 1
Introduction: Eastern European Cinema From No End to the End (As We Know
It) 1 Anikó Imre Part I New Theoretical and Critical Frameworks 23 2 Body
Horror and Post-Socialist Cinema: György Pálfi's Taxidermia 25 Steven
Shaviro 3 El perro negro : Transnational Readings of Database Documentaries
from Spain 41 Marsha Kinder 4 Did Somebody Say Communism in the Classroom?
or The Value of Analyzing Totality in Recent Serbian Cinema 63 Zoran
Samardzija 5 Laughing into an Abyss: Cinema and Balkanization 77 Kriss
Ravetto-Biagioli 6 Jewish Identities and Generational Perspectives 101
Catherine Portuges 7 Aftereffects of 1989: Corneliu Porumboiu's 12:08 East
of Bucharest (2006) and Romanian Cinema 125 Alice Bardan 8 Cinema Beyond
Borders: Slovenian Cinema in a World Context 148 Meta Mazaj and Shekhar
Deshpande Part II Historical and Spatial Redefinitions 167 9 Center and
Periphery, or How Karel Vachek Formed a New Government 169 Alice Lovejoy 10
The Polish Black Series Documentary and the British Free Cinema Movement
183 Bjørn Sørenssen 11 Socialists in Outer Space: East German Film's
Venusian Adventure 201 Stefan Soldovieri 12 Red Shift: New Albanian Cinema
and its Dialogue with the Old 224 Bruce Williams 13 National Space,
(Trans)National Cinema: Estonian Film in the 1960s 244 Eva Näripea 14 For
the Peace, For a New Man, For a Better World! Italian Leftist Culture and
Czechoslovak Cinema, 1945-1968 265 Francesco Pitassio Part III Aesthetic
(Re)visions 289 15 The Impossible Polish New Wave and its Accursed Émigré
Auteurs: Borowczyk, Polañski, Skolimowski, and u³awski 291 Michael Goddard
16 Documentary and Industrial Decline in Hungary: The "Ózd Series" of Tamás
Almási 311 John Cunningham 17 Investigating the Past, Envisioning the
Future: An Exploration of Post-1991 Latvian Documentary 325 Maruta Z.
Vitols 18 Eastern European Historical Epics: Genre Cinema and the
Visualization of a Heroic National Past 344 Nikolina Dobreva 19 Nation,
Gender, and History in Latvian Genre Cinema 366 Irina Novikova 20 A
Comparative Study: Rein Raamat's Big Tõll and Priit Pärn's Luncheon on the
Grass 385 Andreas Trossek 21 The Yugoslav Black Wave: The History and
Poetics of Polemical Cinema in the 1960s and 1970s in Yugoslavia 403 Greg
De Cuir, Jr . Part IV Industries and Institutions 425 22 Follow the Money -
Financing Contemporary Cinema in Romania 427 Ioana Uricaru 23 An
Alternative Model of Film Production: Film Units in Poland after World War
Two 453 Dorota Ostrowska 24 The Hussite Heritage Film: A Dream for all
Czech Seasons 466 Petra Hanáková 25 International Co-productions as
Productions of Heterotopias 483 Ewa Mazierska 26 East is East? New Turkish
Cinema and Eastern Europe 504 Melis Behlil Index 518