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"A rich and moving play with music . . . it taps into seasonal themes of redemption, forgiveness and community, with a decidedly American bent."- Variety
Set on a chilly Christmas Eve during the latter days of the Civil War, Paula Vogel's new pageant for the holiday season weaves a tapestry of both fictional and historical characters-together with period holiday music and lesser-known marches, hymns, and spirituals-to tell a story of peaceful companionship and communal hope.
Paula Vogel 's plays include How I Learned to Drive (winner of the Pulitzer Prize, OBIE, Drama Desk, and
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"A rich and moving play with music . . . it taps into seasonal themes of redemption, forgiveness and community, with a decidedly American bent."-Variety

Set on a chilly Christmas Eve during the latter days of the Civil War, Paula Vogel's new pageant for the holiday season weaves a tapestry of both fictional and historical characters-together with period holiday music and lesser-known marches, hymns, and spirituals-to tell a story of peaceful companionship and communal hope.

Paula Vogel's plays include How I Learned to Drive (winner of the Pulitzer Prize, OBIE, Drama Desk, and New York Drama Critics awards), The Long Christmas Ride Home, The Mineola Twins, The Baltimore Waltz, Hot 'N' Throbbing, and Desdemona. She is chair of the playwriting department at the Yale School of Drama, and is playwright-in-residence at Yale Repertory Theatre.


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Autorenporträt
Paula Vogel's plays include How I Learned to Drive (winner of the Pulitzer Prize, OBIE, Drama Desk, and New York Drama Critics awards), The Long Christmas Ride Home, The Mineola Twins, The Baltimore Waltz, Hot 'N' Throbbing and Desdemona. She is chair of the playwriting department at the Yale School of Drama, and is playwright-in-residence at Yale Repertory Theatre.