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  • Format: ePub

Do you know a capella from zarzuela, or your major from your minor? Can you distinguish between a serenade and a symphony? If you only have 30 seconds, there is time - using this book - to understand the creative journey taken by classical music from the Middle Ages to the modern era. Our early ancestors understood pitch and rhythm, the basic tools that have been worked and ordered by composers and performers over the past 400 years into an extraordinary body of music written for soloists, chamber musicians and entire orchestras. Today, everyone has access to a prodigy of classical music…mehr

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Produktbeschreibung
Do you know a capella from zarzuela, or your major from your minor? Can you distinguish between a serenade and a symphony? If you only have 30 seconds, there is time - using this book - to understand the creative journey taken by classical music from the Middle Ages to the modern era. Our early ancestors understood pitch and rhythm, the basic tools that have been worked and ordered by composers and performers over the past 400 years into an extraordinary body of music written for soloists, chamber musicians and entire orchestras. Today, everyone has access to a prodigy of classical music which, far from being traditional or elitist, is alive and magical. From plainsong to programme music, appreciate the magnitude and majesty, the passion and the pathos of sounds that have the power to stir our emotions to great joy or infinite sadness. Here's music to your ears.

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Autorenporträt
Dr. Joanne Cormac spent two years as Lecturer in Music at Oxford Brookes University before being awarded, in 2015, a three-year Leverhulme Early Career Fellowship with the University of Nottingham for her project "Composer Biography:Narrative, Identity and Reception," which will explore the biographical treatment of a range of composers across written, visual, and spoken media. Joanne completed her PhD at the University of Birmingham, on the topic "Liszt as Kapellmeister: The Development of the Symphonic Poems on the Weimar Stage." Joanne's research interests include Liszt, composer biography, and the role of music in 19th-century theater in England and Germany. Her publications are available in 19th-century Music and 19th-century Music Review.