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1913: The year of French modernism is the first book to respond to two deceptively simple questions: "What constituted modernism in France?" and "What is the place of France on the map of global modernism?" Taking its cue from the seminal year 1913, an annus mirabilis for literature and art , the book captures a snapshot of vibrant creativity in France and a crucial moment for the quickly emerging modernism throughout the world . Essays from specialists on works of literature, art, photography and cinema which were created or made public in and around 1913, outline in a dazzling fresco the…mehr
1913: The year of French modernism is the first book to respond to two deceptively simple questions: "What constituted modernism in France?" and "What is the place of France on the map of global modernism?" Taking its cue from the seminal year 1913, an annus mirabilis for literature and art, the book captures a snapshot of vibrant creativity in France and a crucial moment for the quickly emerging modernism throughout the world. Essays from specialists on works of literature, art, photography and cinema which were created or made public in and around 1913, outline in a dazzling fresco the protagonists, strategies and genres, the dynamics, themes, and legacies of what was French modernism.
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Effie Rentzou is an Associate Professor of French at Princeton University André Benhaïm is an Associate Professor of French at Princeton University
Inhaltsangabe
Introduction Effie Rentzou Part I: 1913, French modernism and historical time Introduction 1 Prehistoric Proust André Benhaïm 2 Fantômas and the shudder of history Jonathan P. Eburne 3 Inventing, collecting and classifying in the margins: the work of Eugène Atget, a shift in photographic representation Guillaume Le Gall 4 The anxious centre Effie Rentzou 5 1913, the year of the arrière garde? William Marx Part II: 1913, 'French' and 'modernism' in question Introduction 6 A modernism that has not yet been: untimely Segalen Christopher Bush 7 On situating French modernism: the strange location(s) of Le Grand Meaulnes David R. Ellison 8 Les Caves du Vatican and the real novel Gerald Prince 9 1913, between peace and war: Chagall's Homage to Apollinaire and the European avant garde Annette Becker Part III: 1913, French modernism and intermediality Introduction 10 Camille Flammarion's flash forward: the cinematicization of French thought and aesthetics (1867 1913) Christophe Wall Romana 11 How 'simultaneous' is it? Revisiting the Delaunay Cendrars collaboration on La Prose du Transsibérien Marjorie Perloff 12 Mallarmé's modernity in 1913 Virginie A. Duzer 13 Poetry displaced: Nijinsky, Delaunay, Duchamp Mary Shaw 14 Behind Picasso's pins Lisa Florman Part IV: Coda: on modernism, beyond France and 1913 15 1913, the future in the past Jean Michel Rabaté 16 The paradox and promise of the 'new' French Modernist Studies Susan Stanford Friedman
Introduction Effie Rentzou Part I: 1913, French modernism and historical time Introduction 1 Prehistoric Proust André Benhaïm 2 Fantômas and the shudder of history Jonathan P. Eburne 3 Inventing, collecting and classifying in the margins: the work of Eugène Atget, a shift in photographic representation Guillaume Le Gall 4 The anxious centre Effie Rentzou 5 1913, the year of the arrière garde? William Marx Part II: 1913, 'French' and 'modernism' in question Introduction 6 A modernism that has not yet been: untimely Segalen Christopher Bush 7 On situating French modernism: the strange location(s) of Le Grand Meaulnes David R. Ellison 8 Les Caves du Vatican and the real novel Gerald Prince 9 1913, between peace and war: Chagall's Homage to Apollinaire and the European avant garde Annette Becker Part III: 1913, French modernism and intermediality Introduction 10 Camille Flammarion's flash forward: the cinematicization of French thought and aesthetics (1867 1913) Christophe Wall Romana 11 How 'simultaneous' is it? Revisiting the Delaunay Cendrars collaboration on La Prose du Transsibérien Marjorie Perloff 12 Mallarmé's modernity in 1913 Virginie A. Duzer 13 Poetry displaced: Nijinsky, Delaunay, Duchamp Mary Shaw 14 Behind Picasso's pins Lisa Florman Part IV: Coda: on modernism, beyond France and 1913 15 1913, the future in the past Jean Michel Rabaté 16 The paradox and promise of the 'new' French Modernist Studies Susan Stanford Friedman
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