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  • Format: ePub

A strikingly original play combining traditional storytelling with physical theatre, created by The Imaginary Body. Winner of a Fringe First at the 2002 Edinburgh Festival. Imagine that you must choose one single memory from your life./Imagine that choosing this memory is your only way of passing through to eternity./Imagine that you have just one hour to choose... 'Armed with only five bamboo sticks, the actors created a visual piece of theatre that captured the imagination of every spectator... They all left the theatre thinking about what their 'one memory' would be' - Joyce McMillan 'A…mehr

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Produktbeschreibung
A strikingly original play combining traditional storytelling with physical theatre, created by The Imaginary Body. Winner of a Fringe First at the 2002 Edinburgh Festival. Imagine that you must choose one single memory from your life./Imagine that choosing this memory is your only way of passing through to eternity./Imagine that you have just one hour to choose... 'Armed with only five bamboo sticks, the actors created a visual piece of theatre that captured the imagination of every spectator... They all left the theatre thinking about what their 'one memory' would be' - Joyce McMillan 'A theatre show that actually makes you think about your own life... fascinating' -Guardian 'This play moved me more profoundly than anything I can remember seeing' -Scotsman

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Autorenporträt
Christopher Heimann co-wrote and directed 100 in a devising process at the Young Vic and Arcola Theatres, London. He co-wrote Food with Joel Harwood which premiered at the Traverse Theatre, Edinburgh, during the Edinburgh Festival in 2006. Both 100 and Food won Edinburgh Fringe First Awards. Other credits include: a video installation for Mincemeat by Cardboard Citizens, Bold Girls at the Hens and Chicken's, London and Las Cosas Tienen Vida at the Tribal Theater, Spain. Christopher directed the Michael Chekhov Training Programme for professional actors for two years, and has been a workshop director at the Gate Theatre, the Young Vic, the Arcola Theatre, Stratford Circus and for Orange Communications. Christopher also teaches improvisation at the Royal Academy of Dramatic Art