Zola and Film
Essays in the Art of Adaptation
Herausgeber: Gural-Migdal, Anna; Singer, Robert
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Zola and Film
Essays in the Art of Adaptation
Herausgeber: Gural-Migdal, Anna; Singer, Robert
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This collection of essays, contributed by scholars of French literature and film, explores the dynamic relationship between Zola's fiction and its film adaptations, examining critically significant cinematic adaptations of Zola's novels from a variety of interdisciplinary perspectives.
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This collection of essays, contributed by scholars of French literature and film, explores the dynamic relationship between Zola's fiction and its film adaptations, examining critically significant cinematic adaptations of Zola's novels from a variety of interdisciplinary perspectives.
Produktdetails
- Produktdetails
- Verlag: McFarland & Co Inc
- Seitenzahl: 230
- Erscheinungstermin: 26. April 2005
- Englisch
- Abmessung: 229mm x 152mm x 14mm
- Gewicht: 318g
- ISBN-13: 9780786421152
- ISBN-10: 0786421150
- Artikelnr.: 20979814
- Verlag: McFarland & Co Inc
- Seitenzahl: 230
- Erscheinungstermin: 26. April 2005
- Englisch
- Abmessung: 229mm x 152mm x 14mm
- Gewicht: 318g
- ISBN-13: 9780786421152
- ISBN-10: 0786421150
- Artikelnr.: 20979814
Anna Gural-Migdal is a professor of Comparative and Film studies at the University of Alberta in Canada. Robert Singer is a professor of English and Film studies at Kingsborough Community College, CUNY. He is the coauthor of McFarland's The Brooklyn Film: Essays in the History of Filmmaking (2003).
Table of Contents
Acknowledgments
Foreword Brigitte Émile-Zola
Introduction Robert Singer
1. Antoine's Version of La Terre: An Experiment in Naturalist Cinema
Russell Cousins
2. Eisenstein and Zola: Naturalism, Cinema, and Mythography Tony Williams
3. Staging the Courtesan: Taking Zola's Nana to the Movies Heather Howard
4. From Theater to Cinema: Jean Renoir's Adaptation of Nana Katherine
Golsan
5. The Eye Behind the Writing Hand: Surveillance and Adaptation in La Bête
humaine Monica Filimon
6. "La Rançon du progrès": Naturalistic Discourse and Two Adaptations of
Zola's Au Bonheur des Dames Klaus Peter Walter
7. Viewing Au Bonheur des Dames in the Context of Occupied France Jennifer
Wolter
8. Thérèse Raquin in a Fog-Covered Corner Alicja Helman
9. Ideology and Focalization in Gervaise: The Aurenchébost/René Clément
Treatment Russell Cousins
10. The Female Reader in Pot-Bouille and Duvivier's Cinematic
Representation Elisabeth-Christine Muelsch
11. The Fabrication of Claude Berri's Germinal Anna Gural-Migdal
12. Nostalgia Is Hard to Let Go: The French Communist Party's Reception of
Claude Berri's Filmic Adaptation of Germinal Laurent Marie
13. "At the Still Point": Framing the Naturalist Moment Robert Singer
Select Filmography
About the Contributors
Index
Acknowledgments
Foreword Brigitte Émile-Zola
Introduction Robert Singer
1. Antoine's Version of La Terre: An Experiment in Naturalist Cinema
Russell Cousins
2. Eisenstein and Zola: Naturalism, Cinema, and Mythography Tony Williams
3. Staging the Courtesan: Taking Zola's Nana to the Movies Heather Howard
4. From Theater to Cinema: Jean Renoir's Adaptation of Nana Katherine
Golsan
5. The Eye Behind the Writing Hand: Surveillance and Adaptation in La Bête
humaine Monica Filimon
6. "La Rançon du progrès": Naturalistic Discourse and Two Adaptations of
Zola's Au Bonheur des Dames Klaus Peter Walter
7. Viewing Au Bonheur des Dames in the Context of Occupied France Jennifer
Wolter
8. Thérèse Raquin in a Fog-Covered Corner Alicja Helman
9. Ideology and Focalization in Gervaise: The Aurenchébost/René Clément
Treatment Russell Cousins
10. The Female Reader in Pot-Bouille and Duvivier's Cinematic
Representation Elisabeth-Christine Muelsch
11. The Fabrication of Claude Berri's Germinal Anna Gural-Migdal
12. Nostalgia Is Hard to Let Go: The French Communist Party's Reception of
Claude Berri's Filmic Adaptation of Germinal Laurent Marie
13. "At the Still Point": Framing the Naturalist Moment Robert Singer
Select Filmography
About the Contributors
Index
Table of Contents
Acknowledgments
Foreword Brigitte Émile-Zola
Introduction Robert Singer
1. Antoine's Version of La Terre: An Experiment in Naturalist Cinema
Russell Cousins
2. Eisenstein and Zola: Naturalism, Cinema, and Mythography Tony Williams
3. Staging the Courtesan: Taking Zola's Nana to the Movies Heather Howard
4. From Theater to Cinema: Jean Renoir's Adaptation of Nana Katherine
Golsan
5. The Eye Behind the Writing Hand: Surveillance and Adaptation in La Bête
humaine Monica Filimon
6. "La Rançon du progrès": Naturalistic Discourse and Two Adaptations of
Zola's Au Bonheur des Dames Klaus Peter Walter
7. Viewing Au Bonheur des Dames in the Context of Occupied France Jennifer
Wolter
8. Thérèse Raquin in a Fog-Covered Corner Alicja Helman
9. Ideology and Focalization in Gervaise: The Aurenchébost/René Clément
Treatment Russell Cousins
10. The Female Reader in Pot-Bouille and Duvivier's Cinematic
Representation Elisabeth-Christine Muelsch
11. The Fabrication of Claude Berri's Germinal Anna Gural-Migdal
12. Nostalgia Is Hard to Let Go: The French Communist Party's Reception of
Claude Berri's Filmic Adaptation of Germinal Laurent Marie
13. "At the Still Point": Framing the Naturalist Moment Robert Singer
Select Filmography
About the Contributors
Index
Acknowledgments
Foreword Brigitte Émile-Zola
Introduction Robert Singer
1. Antoine's Version of La Terre: An Experiment in Naturalist Cinema
Russell Cousins
2. Eisenstein and Zola: Naturalism, Cinema, and Mythography Tony Williams
3. Staging the Courtesan: Taking Zola's Nana to the Movies Heather Howard
4. From Theater to Cinema: Jean Renoir's Adaptation of Nana Katherine
Golsan
5. The Eye Behind the Writing Hand: Surveillance and Adaptation in La Bête
humaine Monica Filimon
6. "La Rançon du progrès": Naturalistic Discourse and Two Adaptations of
Zola's Au Bonheur des Dames Klaus Peter Walter
7. Viewing Au Bonheur des Dames in the Context of Occupied France Jennifer
Wolter
8. Thérèse Raquin in a Fog-Covered Corner Alicja Helman
9. Ideology and Focalization in Gervaise: The Aurenchébost/René Clément
Treatment Russell Cousins
10. The Female Reader in Pot-Bouille and Duvivier's Cinematic
Representation Elisabeth-Christine Muelsch
11. The Fabrication of Claude Berri's Germinal Anna Gural-Migdal
12. Nostalgia Is Hard to Let Go: The French Communist Party's Reception of
Claude Berri's Filmic Adaptation of Germinal Laurent Marie
13. "At the Still Point": Framing the Naturalist Moment Robert Singer
Select Filmography
About the Contributors
Index