Drawing on extensive field research conducted over the course of two decades, Bode Omojola examines traditional and contemporary Yorà  bà ¡ genres of music.
Drawing on extensive field research conducted over the course of two decades, Bode Omojola examines traditional and contemporary Yorà  bà ¡ genres of music.
Yorùbá Drumming: Performance Practice and the Politics of Identity Talking and Stammering: Toward an Analysis of Yorùbá Drumming Songs of the King's Wives: Gendered and Social Identities inYorùbá Vocal Performance The Aírégbé Song Tradition of Yorùbá Female Chiefs Yorùbá Music in the Christian Liturgy: Notation, Performance,and Identity Yorùbá Music in Christian Worship: The Aládurà Church Yorùbá Popular Music: Hybridity, Identity, and Power Yorùbá Islamic Popular Music Conclusion Appendixes A: Fieldwork B: Audio Track List
Yorùbá Drumming: Performance Practice and the Politics of Identity Talking and Stammering: Toward an Analysis of Yorùbá Drumming Songs of the King's Wives: Gendered and Social Identities inYorùbá Vocal Performance The Aírégbé Song Tradition of Yorùbá Female Chiefs Yorùbá Music in the Christian Liturgy: Notation, Performance,and Identity Yorùbá Music in Christian Worship: The Aládurà Church Yorùbá Popular Music: Hybridity, Identity, and Power Yorùbá Islamic Popular Music Conclusion Appendixes A: Fieldwork B: Audio Track List
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