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This book discusses the intrusion of personal voice in British landscape poetry of the eighteenth century. It argues that strong conventions, such as those marking topographical verse of the period, invite original poets to overstep those bounds, providing cover for explorations into memory, personhood, and the workings of consciousness.

Produktbeschreibung
This book discusses the intrusion of personal voice in British landscape poetry of the eighteenth century. It argues that strong conventions, such as those marking topographical verse of the period, invite original poets to overstep those bounds, providing cover for explorations into memory, personhood, and the workings of consciousness.
Autorenporträt
Elizabeth R. Napier is Professor Emerita in the Department of English, Middlebury College. She has published on, among other subjects, eighteenth-century English Gothic fiction, problems of embodiment in eighteenth- and nineteenth-century English fiction, and narrative strategies in the work of Daniel Defoe.