The first essay collection dedicated to the work of Shakespeare's contemporary Robert Greene, Writing Robert Greene considers Greene's writings in the contexts of his extensive engagement with the popular print market and his work as a professional dramatist for the London-based theatre companies. The volume includes three valuable appendices (presenting apocrypha; edition information; and a list of Greene's works by year published) and an annotated bibliography of recent scholarship.
The first essay collection dedicated to the work of Shakespeare's contemporary Robert Greene, Writing Robert Greene considers Greene's writings in the contexts of his extensive engagement with the popular print market and his work as a professional dramatist for the London-based theatre companies. The volume includes three valuable appendices (presenting apocrypha; edition information; and a list of Greene's works by year published) and an annotated bibliography of recent scholarship.
Kirk Melnikoff is Assistant Professor of English at the University of North Carolina-Charlotte, USA and Edward Gieskes is associate Professor of English at the University of South Carolina-Columbia, USA
Inhaltsangabe
Contents: Introduction: re-imagining Robert Greene, Kirk Melnikoff and Edward Gieskes; Robert Greene and the theatrical vocabulary of the early 1590s, Alan C. Dessen; 'That I will see, lead and ile follow thee': Robert Greene and the authority of performance, Kirk Melnikoff; Staging professionalism in Greene's James IV, Ed Gieskes; From Homo Academicus to Poeta Publicus: celebrity and transversal knowledge in Robert Greene's Friar Bacon and Friar Bungay (c1589), Bryan Reynolds and Henry S. Turner; Robert Greene, 'author of playes', Ronald A. Tumelson II; Forming Greene: theorizing the early modern author in the Groatsworth of Wit, Steve Mentz; A looking glass for readers: cheap print and the senses of repentance, Lori Humphrey Newcombe; Robert Greene and the uses of time, Robert W. Maslen; Transplanting lillies: Greene, tyrants and tragical comedies, Katharine Wilson; Recent studies in Robert Greene (1989-2006), Kirk Melnikoff and Edward Gieskes; Appendices; Index.
Contents: Introduction: re-imagining Robert Greene, Kirk Melnikoff and Edward Gieskes; Robert Greene and the theatrical vocabulary of the early 1590s, Alan C. Dessen; 'That I will see, lead and ile follow thee': Robert Greene and the authority of performance, Kirk Melnikoff; Staging professionalism in Greene's James IV, Ed Gieskes; From Homo Academicus to Poeta Publicus: celebrity and transversal knowledge in Robert Greene's Friar Bacon and Friar Bungay (c1589), Bryan Reynolds and Henry S. Turner; Robert Greene, 'author of playes', Ronald A. Tumelson II; Forming Greene: theorizing the early modern author in the Groatsworth of Wit, Steve Mentz; A looking glass for readers: cheap print and the senses of repentance, Lori Humphrey Newcombe; Robert Greene and the uses of time, Robert W. Maslen; Transplanting lillies: Greene, tyrants and tragical comedies, Katharine Wilson; Recent studies in Robert Greene (1989-2006), Kirk Melnikoff and Edward Gieskes; Appendices; Index.
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