World Literature as Discovery argues that world literature for our time must go beyond Eurocentrism and expand the canon to include great works from non-European and "minor" European literatures. Zhang Longxi proposes a new and liberating concept of world literature that will shape world literature worthy of its name.
World Literature as Discovery argues that world literature for our time must go beyond Eurocentrism and expand the canon to include great works from non-European and "minor" European literatures. Zhang Longxi proposes a new and liberating concept of world literature that will shape world literature worthy of its name.
Zhang Longxi is Xiaoxiang Chair Professor of Comparative Literature at Hunan Normal University in Changsha, China, and Chair Professor Emeritus of Comparative Literature and Translation at the City University of Hong Kong. He is a foreign member of the Royal Swedish Academy of Letters, History and Antiquities and of Academia Europaea, and he was President of the International Comparative Literature Association for 2016-2019. He serves as an Editor-in-Chief of the Journal of World Literature and Advisory Editor of New Literary History. His publications include The Tao and the Logos: Literary Hermeneutics, East and West (1992); Allegoresis: Reading Canonical Literature East and West (2005); Unexpected Affinities: Reading across Cultures (2007); From Comparison to World Literature (2015); and A History of Chinese Literature (Routledge, 2023).
Inhaltsangabe
Preface 1. Goethe and Weltliteratur 2. The Return to (World) Literature 3. Circulation and Value Judgment 4. Canon and the Classic 5. World Literature as Discoveries 6. Language, (Un)translatability and World Literature 7. The Challenge of Writing a World Literary History 8. Literary Universals 9. The Mirror of Enigma and the Mirror of Magic 10. Potion and Poison: Chinese and Shakespearean Dialectics 11. Conclusion: World Literature and Cosmopolitanism Bibliography Index
Preface 1. Goethe and Weltliteratur 2. The Return to (World) Literature 3. Circulation and Value Judgment 4. Canon and the Classic 5. World Literature as Discoveries 6. Language, (Un)translatability and World Literature 7. The Challenge of Writing a World Literary History 8. Literary Universals 9. The Mirror of Enigma and the Mirror of Magic 10. Potion and Poison: Chinese and Shakespearean Dialectics 11. Conclusion: World Literature and Cosmopolitanism Bibliography Index
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