Timothy D. Taylor offers a behind-the-scenes look at the working composers, musicians, and engineers who create soundtracks for film, television, and video games.
Timothy D. Taylor offers a behind-the-scenes look at the working composers, musicians, and engineers who create soundtracks for film, television, and video games.
Timothy D. Taylor is Professor of Anthropology, Ethnomusicology, and Musicology at the University of California, Los Angeles, and author of many books, including Beyond Exoticism: Western Music and the World, also published by Duke University Press, and Music and Capitalism: A History of the Present.
Inhaltsangabe
Acknowledgments ix Introduction: Working Musicians 1 1. Group Production, the Collective Laborer, Supply Chains, and Fields 19 2. Creativity 48 3. Composers’ Labor 81 4. The Music Supply Chain after the Composer: Adding Value 119 5. Challenges 138 6. It’s a Man’s, Man’s, Man’s, Man’s World 156 7. Neoliberalization as (Self-)Exploitation 177 8. “Thousands of Guys Like Me” 212 Notes 217 References 231 Index 245
Acknowledgments ix Introduction: Working Musicians 1 1. Group Production, the Collective Laborer, Supply Chains, and Fields 19 2. Creativity 48 3. Composers’ Labor 81 4. The Music Supply Chain after the Composer: Adding Value 119 5. Challenges 138 6. It’s a Man’s, Man’s, Man’s, Man’s World 156 7. Neoliberalization as (Self-)Exploitation 177 8. “Thousands of Guys Like Me” 212 Notes 217 References 231 Index 245
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