Ted Gioia, pianist, composer, and one of the founders of Stanford University’s Jazz Studies program, is the author of Healing Songs, also published by Duke University Press, as well as several celebrated books, including West Coast Jazz: Modern Jazz in California, 1945–1960. His book The History of Jazz was selected as one of the best books of the year by Jonathan Yardley in the Washington Post, chosen as a notable book of the year by the New York Times, and honored with the Bay Area Book Reviewers’ award for best nonfiction work of the year. His book The Imperfect Art won the ASCAP–Deems Taylor Award and was named a Jazz Book of the Century by the Jazz Educators Journal. He has recorded several compact discs as a leader, including The End of the Open Road and Tango Cool.
Inhaltsangabe
Preface ix Introduction: Why Work Songs? 1 1. The Hunter 13 2. The Cultivator 35 3. The Herder 63 4. Thread and Cloth 79 5. The New Rhythms of Work 99 6. Sea and Shore 115 7. The Lumberjack 137 8. Take This Hammer! 150 9. The Cowboy 169 10. The Miner 182 11. The Prisoner 200 12. The Labor Movement and Songs of Work 225 13. Music and the Modern Worker 242 Epologue: The Calling 256 Notes 261 Recommended Listening 305 Bibliography 313 Index 337
Preface ix Introduction: Why Work Songs? 1 1. The Hunter 13 2. The Cultivator 35 3. The Herder 63 4. Thread and Cloth 79 5. The New Rhythms of Work 99 6. Sea and Shore 115 7. The Lumberjack 137 8. Take This Hammer! 150 9. The Cowboy 169 10. The Miner 182 11. The Prisoner 200 12. The Labor Movement and Songs of Work 225 13. Music and the Modern Worker 242 Epologue: The Calling 256 Notes 261 Recommended Listening 305 Bibliography 313 Index 337
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