Women's Suffrage in Word, Image, Music, Stage and Screen
The Making of a Movement
Herausgeber: Wiley, Christopher; Rose, Lucy Ella
Women's Suffrage in Word, Image, Music, Stage and Screen
The Making of a Movement
Herausgeber: Wiley, Christopher; Rose, Lucy Ella
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This collection of essays explores the myriad ways in which the womenà â â s suffrage movement in Britain in the nineteenth century and twentieth century engaged with, and was expressed through literature, art and craft, music, drama and cinema.
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This collection of essays explores the myriad ways in which the womenà â â s suffrage movement in Britain in the nineteenth century and twentieth century engaged with, and was expressed through literature, art and craft, music, drama and cinema.
Produktdetails
- Produktdetails
- Interdisciplinary Research in Gender
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 288
- Erscheinungstermin: 9. Januar 2023
- Englisch
- Abmessung: 154mm x 234mm x 29mm
- Gewicht: 490g
- ISBN-13: 9781032024929
- ISBN-10: 1032024925
- Artikelnr.: 67441484
- Interdisciplinary Research in Gender
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 288
- Erscheinungstermin: 9. Januar 2023
- Englisch
- Abmessung: 154mm x 234mm x 29mm
- Gewicht: 490g
- ISBN-13: 9781032024929
- ISBN-10: 1032024925
- Artikelnr.: 67441484
Christopher Wiley is Senior Lecturer in Music at the University of Surrey, UK. He is the author of many journal articles and book chapters, and the co-editor of volumes including Researching and Writing on Contemporary Art and Artists (2020), Transnational Perspectives on Artists' Lives (2020), Writing About Contemporary Musicians (2021) and The Routledge Companion to Autoethnography and Self-Reflexivity in Music Studies (2021). Lucy Ella Rose is Lecturer in Victorian Literature at the University of Surrey, UK. She is the author of the book Suffragist Artists in Partnership: Gender, Word and Image (2018), and her work focuses on neglected women in nineteenth-century creative partnerships. She presents and publishes on Victorian literature, art, culture and feminisms, and is currently working on feminist networks at the fin de siècle.
Chapter 1 Women's suffrage and cultural representation: the making of a movement
Part I Literature
Chapter 2 Sylvia Pankhurst: poetry and politics
Chapter 3 A reliable chronicler? Emmeline Pethick-Lawrence and the Pankhurst/Pethick-Lawrence split of 1912
Chapter 4 Suffragette prison narratives: the foreignisation of the carceral experience
Chapter 5 The Scottish suffragettes and the press
Part II The visual arts and visual identity
Chapter 6 Suffrage identity: declaring one's colours
Chapter 7 Painting a political identity: women and the House of Commons
c.1818-1834
Chapter 8 Victorian paintings under attack: the earliest act of suffrage iconoclasm (1913)
Chapter 9 The art of suffrage propaganda: with particular reference to the work of Surrey artists
Part III Music
Chapter 10 Ethel Smyth
music and the suffragette movement: reconsidering The Boatswain's Mate as feminist opera
Chapter 11 'It seemed to me my first duty to signify I was one of the fighters': Ethel Smyth's two years of suffrage activities and her suffrage music
Chapter 12 The image of the Suffragette in Vernon Lee's Music and its Lovers
Part IV Stage and screen
Chapter 13 'Will you
won't you
will you
won't you
join the suffrage dance?': reframing Alice in Wonderland for Edwardian activists
Chapter 14 Radical actors: the Women's Social and Political Union's staging of the suffrage campaign
Chapter 15 Suffrage history on our screens: the TV series Shoulder to Shoulder and the feature film Suffragette: Whose stories do they tell?
Part I Literature
Chapter 2 Sylvia Pankhurst: poetry and politics
Chapter 3 A reliable chronicler? Emmeline Pethick-Lawrence and the Pankhurst/Pethick-Lawrence split of 1912
Chapter 4 Suffragette prison narratives: the foreignisation of the carceral experience
Chapter 5 The Scottish suffragettes and the press
Part II The visual arts and visual identity
Chapter 6 Suffrage identity: declaring one's colours
Chapter 7 Painting a political identity: women and the House of Commons
c.1818-1834
Chapter 8 Victorian paintings under attack: the earliest act of suffrage iconoclasm (1913)
Chapter 9 The art of suffrage propaganda: with particular reference to the work of Surrey artists
Part III Music
Chapter 10 Ethel Smyth
music and the suffragette movement: reconsidering The Boatswain's Mate as feminist opera
Chapter 11 'It seemed to me my first duty to signify I was one of the fighters': Ethel Smyth's two years of suffrage activities and her suffrage music
Chapter 12 The image of the Suffragette in Vernon Lee's Music and its Lovers
Part IV Stage and screen
Chapter 13 'Will you
won't you
will you
won't you
join the suffrage dance?': reframing Alice in Wonderland for Edwardian activists
Chapter 14 Radical actors: the Women's Social and Political Union's staging of the suffrage campaign
Chapter 15 Suffrage history on our screens: the TV series Shoulder to Shoulder and the feature film Suffragette: Whose stories do they tell?
Chapter 1 Women's suffrage and cultural representation: the making of a movement
Part I Literature
Chapter 2 Sylvia Pankhurst: poetry and politics
Chapter 3 A reliable chronicler? Emmeline Pethick-Lawrence and the Pankhurst/Pethick-Lawrence split of 1912
Chapter 4 Suffragette prison narratives: the foreignisation of the carceral experience
Chapter 5 The Scottish suffragettes and the press
Part II The visual arts and visual identity
Chapter 6 Suffrage identity: declaring one's colours
Chapter 7 Painting a political identity: women and the House of Commons
c.1818-1834
Chapter 8 Victorian paintings under attack: the earliest act of suffrage iconoclasm (1913)
Chapter 9 The art of suffrage propaganda: with particular reference to the work of Surrey artists
Part III Music
Chapter 10 Ethel Smyth
music and the suffragette movement: reconsidering The Boatswain's Mate as feminist opera
Chapter 11 'It seemed to me my first duty to signify I was one of the fighters': Ethel Smyth's two years of suffrage activities and her suffrage music
Chapter 12 The image of the Suffragette in Vernon Lee's Music and its Lovers
Part IV Stage and screen
Chapter 13 'Will you
won't you
will you
won't you
join the suffrage dance?': reframing Alice in Wonderland for Edwardian activists
Chapter 14 Radical actors: the Women's Social and Political Union's staging of the suffrage campaign
Chapter 15 Suffrage history on our screens: the TV series Shoulder to Shoulder and the feature film Suffragette: Whose stories do they tell?
Part I Literature
Chapter 2 Sylvia Pankhurst: poetry and politics
Chapter 3 A reliable chronicler? Emmeline Pethick-Lawrence and the Pankhurst/Pethick-Lawrence split of 1912
Chapter 4 Suffragette prison narratives: the foreignisation of the carceral experience
Chapter 5 The Scottish suffragettes and the press
Part II The visual arts and visual identity
Chapter 6 Suffrage identity: declaring one's colours
Chapter 7 Painting a political identity: women and the House of Commons
c.1818-1834
Chapter 8 Victorian paintings under attack: the earliest act of suffrage iconoclasm (1913)
Chapter 9 The art of suffrage propaganda: with particular reference to the work of Surrey artists
Part III Music
Chapter 10 Ethel Smyth
music and the suffragette movement: reconsidering The Boatswain's Mate as feminist opera
Chapter 11 'It seemed to me my first duty to signify I was one of the fighters': Ethel Smyth's two years of suffrage activities and her suffrage music
Chapter 12 The image of the Suffragette in Vernon Lee's Music and its Lovers
Part IV Stage and screen
Chapter 13 'Will you
won't you
will you
won't you
join the suffrage dance?': reframing Alice in Wonderland for Edwardian activists
Chapter 14 Radical actors: the Women's Social and Political Union's staging of the suffrage campaign
Chapter 15 Suffrage history on our screens: the TV series Shoulder to Shoulder and the feature film Suffragette: Whose stories do they tell?