Women's Playwriting and the Women's Movement, 1890-1918 is the first designated study of British women's drama from a period of exceptional productivity and innovation for female playwrights.
Women's Playwriting and the Women's Movement, 1890-1918 is the first designated study of British women's drama from a period of exceptional productivity and innovation for female playwrights.
Anna Farkas is Assistant Professor of English Literature at Regensburg University, Germany. She is co-editor of Interdisciplinary Perspectives on Aging in Nineteenth-Century Culture (2013). Her research interests are in British drama of the nineteenth and twentieth centuries, women's writing, and law and literature.
Inhaltsangabe
Acknowledgments Introduction 1. The Female Playwright in the 1890s 2. The New Woman on the Stage 3. Ingénues, Wives, and Mothers: Women's Drama in the West End 4. The Orthodox Roots of Suffrage Theatre 5. A New Heroine for a New Century: Women's Drama and the Modernist Theatre Conclusion Bibliography Index
Acknowledgments Introduction 1. The Female Playwright in the 1890s 2. The New Woman on the Stage 3. Ingénues, Wives, and Mothers: Women's Drama in the West End 4. The Orthodox Roots of Suffrage Theatre 5. A New Heroine for a New Century: Women's Drama and the Modernist Theatre Conclusion Bibliography Index
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