The first comprehensive work in English on the three major regional styles of Uzbek women's dance - Ferghana, Khiva and Bukhara - and their broader Silk Road cultural connections, from folklore roots to contemporary stage dance. The book surveys the remarkable development from the earliest manifestations in ancient civilizations to a sequestered existence under Islam; from patronage under Soviet power to a place of pride for Uzbek nationhood. It considers the role that immigration had to play on the development of the dances; how women boldly challenged societal gender roles to perform in…mehr
The first comprehensive work in English on the three major regional styles of Uzbek women's dance - Ferghana, Khiva and Bukhara - and their broader Silk Road cultural connections, from folklore roots to contemporary stage dance. The book surveys the remarkable development from the earliest manifestations in ancient civilizations to a sequestered existence under Islam; from patronage under Soviet power to a place of pride for Uzbek nationhood. It considers the role that immigration had to play on the development of the dances; how women boldly challenged societal gender roles to perform in public; how both material culture and the natural world manifest in the dance; and it illuminates the innovations of pioneering choreographers who drew from Central Asian folk traditions, gestures and aesthetics - not Russian ballet - to first shape modern Uzbek stage dance. Written by the first American dancer invited to study in Uzbekistan, this book offers insight into the once-hidden world of Uzbek women's dance.
Laurel Victoria Gray is Professor of World Dance at George Washington University, US, and past Adjunct Professor of Dance of the Islamic World at George Mason University, US. In 2007, she was named Honorary Professor at the Uzbekistan State Institute of Arts and Culture in Tashkent, Uzbekistan. She has been the founding artistic director and choreographer for Silk Road Dance Company in Washington DC, US, since 1995. www.laurelvictoriagray.com www.silkroaddance.com www.uzbekdance.org TWITTER: @SilkRoadDanceCo @SwedeOnSilkRoad @UzbekDanceCult INSTAGRAM: @silkroaddancecompany @qyzylbosh FACEBOOK: @silkroaddance @uzbekdanceculture @CentralAsianDanceCamp @LaurelVictoriaGrayChoreographer @SilkRoadDanceFestival @goldenroadtosamarkand
Inhaltsangabe
PART ONE: HIDDEN ROOTS Chapter 1: The Goddess and the Dancing Boys Chapter 2: The Primacy of Rhythm Chapter 3: Dance Zones: Khorezm, Ferghana, Bukhara-Samarkand PART TWO: FROM THE ICHKARI TO THE CONCERT STAGE Chapter 4: Mentors and Martyrs Chapter 5: Cross Pollination: Moscow and Paris Chapter 6: From Revolution to Evolution PART THREE: TERROR AND WAR Chapter 7: Uprooted: Koreans and Crimean Tatars Chapter 8: The War Front and the Home Front PART FOUR: THE ARRIVAL OF SPRING Chapter 9: The Blossoming of Bakhor Chapter 10: Kizlarkhon Dusmukhamedova: Queen of All the Girls Chapter 11: Constructing Karakalpak Dance PART FIVE: FROM RED STAR TO CRESCENT MOON Chapter 12: New Celebrations for a New Nation Conclusion: Lessons of Resilience
PART ONE: HIDDEN ROOTS Chapter 1: The Goddess and the Dancing Boys Chapter 2: The Primacy of Rhythm Chapter 3: Dance Zones: Khorezm, Ferghana, Bukhara-Samarkand PART TWO: FROM THE ICHKARI TO THE CONCERT STAGE Chapter 4: Mentors and Martyrs Chapter 5: Cross Pollination: Moscow and Paris Chapter 6: From Revolution to Evolution PART THREE: TERROR AND WAR Chapter 7: Uprooted: Koreans and Crimean Tatars Chapter 8: The War Front and the Home Front PART FOUR: THE ARRIVAL OF SPRING Chapter 9: The Blossoming of Bakhor Chapter 10: Kizlarkhon Dusmukhamedova: Queen of All the Girls Chapter 11: Constructing Karakalpak Dance PART FIVE: FROM RED STAR TO CRESCENT MOON Chapter 12: New Celebrations for a New Nation Conclusion: Lessons of Resilience
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