This book explores the portrayal of women in Soviet films of the 1950s to 1970s, during which time a large number of films featured complex female characters who went beyond the stereotypical women of Soviet realism.
This book explores the portrayal of women in Soviet films of the 1950s to 1970s, during which time a large number of films featured complex female characters who went beyond the stereotypical women of Soviet realism.
Produktdetails
Produktdetails
Routledge Contemporary Russia and Eastern Europe Series
Marina Rojavin is teaching at Bryn Mawr College. Some of her scholarly interests are Russian intellectuals in Imperial Russia and Russian intelligentsia, women, and character archetypes in Soviet cinema of 1960s-1980s. Her most recent publication is the textbook Russian for Advanced Students (2013) completed with her colleagues. Tim Harte is an associate professor of Russian at Bryn Mawr College. He is author of Fast Forward: The Aesthetics and Ideology of Speed in Russian Avant-Garde Culture, 1910-1930 (2009) as well as various articles on twentieth-century Russian literature and film.
Inhaltsangabe
List of Figures; List of contributors; Preface; Introduction; Part I: Actresses, On-Screen Personas, and Their Evolution through the Years; Chapter 1: Tatiana Samoilova and the Search for a New Soviet Woman (Anthony Anemone); Chapter 2: Liudmila Gurchenko: Stardom in the Late Soviet Era (Rimgaila Salys); Chapter 3: Nina Ruslanova: Traversing the Spaces of Late Socialism (Tom Roberts); Part II. Genre as Device in Mainstream Cinema; Chapter 4: Femininity, Patriarchality, and Anti-Stalinism in Vladimir Chebotarev's Wild Honey (Tatiana Mikhailova); Chapter 5: Melodrama's Womanly Face: Femininity Redefined in the Soviet Cinema of the Late 1960s-early 1970s (Natalia Klimova); Chapter 6: A Laughing Matter: El'dar Ryazanov and the Subversion of Soviet Gender in Russian Comedy (Michele Leigh); Part III. New Soviet Wave Cinema and Auteurism; Chapter 7: Marlen Khutsiev's July Rain, Cultural Liberation, and a New Soviet Woman (Tim Harte); Chapter 8: "What Can Be Done about It-I'm a Woman, not a Pet." The Non-Heroic Heroines in Romm's Nine Days of One Year and Shepit'ko's You and Me (Marina Rojavin); Chapter 9: Gender, Sex, and the Fantasy of the Non-Expressive in Sergei Parajanov's The Color of Pomegranates (Justin Weir); Index
List of Figures; List of contributors; Preface; Introduction; Part I: Actresses, On-Screen Personas, and Their Evolution through the Years; Chapter 1: Tatiana Samoilova and the Search for a New Soviet Woman (Anthony Anemone); Chapter 2: Liudmila Gurchenko: Stardom in the Late Soviet Era (Rimgaila Salys); Chapter 3: Nina Ruslanova: Traversing the Spaces of Late Socialism (Tom Roberts); Part II. Genre as Device in Mainstream Cinema; Chapter 4: Femininity, Patriarchality, and Anti-Stalinism in Vladimir Chebotarev's Wild Honey (Tatiana Mikhailova); Chapter 5: Melodrama's Womanly Face: Femininity Redefined in the Soviet Cinema of the Late 1960s-early 1970s (Natalia Klimova); Chapter 6: A Laughing Matter: El'dar Ryazanov and the Subversion of Soviet Gender in Russian Comedy (Michele Leigh); Part III. New Soviet Wave Cinema and Auteurism; Chapter 7: Marlen Khutsiev's July Rain, Cultural Liberation, and a New Soviet Woman (Tim Harte); Chapter 8: "What Can Be Done about It-I'm a Woman, not a Pet." The Non-Heroic Heroines in Romm's Nine Days of One Year and Shepit'ko's You and Me (Marina Rojavin); Chapter 9: Gender, Sex, and the Fantasy of the Non-Expressive in Sergei Parajanov's The Color of Pomegranates (Justin Weir); Index
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