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Women in Love (1920) by D. H. Lawrence renders an interesting tale of the lives of the Brangwen sisters, Gudrun and Ursula, and their respective romantic partners. Gudrun Brangwen is in a relationship with Gerald Crich and Ursula Brangwen with Rupert Birkin. But, the lives of each of these characters become complicated as they start exploring their emotional, psychological and physical side. All four are deeply concerned with questions of politics, society, and the relationship between men and women

Produktbeschreibung
Women in Love (1920) by D. H. Lawrence renders an interesting tale of the lives of the Brangwen sisters, Gudrun and Ursula, and their respective romantic partners. Gudrun Brangwen is in a relationship with Gerald Crich and Ursula Brangwen with Rupert Birkin. But, the lives of each of these characters become complicated as they start exploring their emotional, psychological and physical side. All four are deeply concerned with questions of politics, society, and the relationship between men and women
Autorenporträt
David Herbert Richards "D. H." Lawrence (1885 - 1930) was an English novelist, poet, playwright, essayist, literary critic and painter. His collected works represent, among other things, an extended reflection upon the dehumanizing effects of modernity and industrialization. Some of the issues Lawrence explores are emotional health, vitality, spontaneity and instinct. Lawrence's opinions earned him many enemies and he endured official persecution, censorship, and misrepresentation of his creative work throughout the second half of his life, much of which he spent in a voluntary exile which he called his "savage pilgrimage". At the time of his death, his public reputation was that of a pornographer who had wasted his considerable talents. E. M. Forster, in an obituary notice, challenged this widely held view, describing him as, "The greatest imaginative novelist of our generation." Later, the Cambridge critic F. R. Leavis championed both his artistic integrity and his moral seriousness, placing much of Lawrence's fiction within the canonical "great tradition" of the English novel.