This book introduces women into the history of world fairs through a dialogue across disciplinary and national historiographies that challenges existing narratives. It shows the ways women engaged in these modern spaces, as artists, writers, collectors, philanthropists, workers or feminists at a moment when feminist movements were developing.
This book introduces women into the history of world fairs through a dialogue across disciplinary and national historiographies that challenges existing narratives. It shows the ways women engaged in these modern spaces, as artists, writers, collectors, philanthropists, workers or feminists at a moment when feminist movements were developing.
Myriam Boussahba-Bravard is Professor of Nineteenth-Century British History in the English and American Studies faculty of Université Paris Diderot. Rebecca Rogers is Professor in the Histoire of Education at the Université Paris Descartes.
Inhaltsangabe
Introduction: Positioning Women in the World Fairs, 1876-1937 Myriam Boussahba-Bravard and Rebecca Rogers Part I: Exhibiting Women: Collectors, Artists and Students 1. Expositions and Collections: Women Art Collectors and Patrons in the Age of the Great Expositions Julie Verlaine 2. Unpretentious Paintings: Mexico's National School of Fine Arts' Women Students at the 1893 Chicago Columbian Exposition Ursula Tania Estrada 3. Inserting the Personal in the International: The American Girl at the 1900 Paris Exposition Linda Kim Part II: Promoting Women: Professionals, Workers and Organizers 4. "After Mature Deliberation": Women Lawyers' Infiltration of the 1893 World Columbian Exposition Gwen Jordan 5. International Expositions and the Rewriting of Portuguese Women's History (1889-1908) Teresa Pinto 6. A "Reason to Act, an Ideal to Strive Towards": Women as Intellectual Organizers at the Paris Exhibition of 1900 Anne R. Epstein Part III: Staging Otherness: Women on and from the Margins 7. African American Women's Voices at the 1893 Chicago World Fair Claudine Raynaud 8. Between Knowledge and Spectacle: Exotic Women at International Exhibitions (Paris, 1889 and 1900) Christiane Demeulenaere-Douyère 9. International Activism After the Fair: New South Wales, Utah, and the 1893 World's Columbian Exhibition James Keating Part IV: Mobilizing Women: National, International, and Transnational Feminism(s) 10. Rendezvous at the Expo: Building a Franco-American Women's Network, 1889-1893-1900 Karen Offen 11. Forging the Transnational out of the International: Feminist Internationalism at World's Fairs and International Exhibitions Tracey Jean Boisseau
Introduction: Positioning Women in the World Fairs, 1876-1937 Myriam Boussahba-Bravard and Rebecca Rogers Part I: Exhibiting Women: Collectors, Artists and Students 1. Expositions and Collections: Women Art Collectors and Patrons in the Age of the Great Expositions Julie Verlaine 2. Unpretentious Paintings: Mexico's National School of Fine Arts' Women Students at the 1893 Chicago Columbian Exposition Ursula Tania Estrada 3. Inserting the Personal in the International: The American Girl at the 1900 Paris Exposition Linda Kim Part II: Promoting Women: Professionals, Workers and Organizers 4. "After Mature Deliberation": Women Lawyers' Infiltration of the 1893 World Columbian Exposition Gwen Jordan 5. International Expositions and the Rewriting of Portuguese Women's History (1889-1908) Teresa Pinto 6. A "Reason to Act, an Ideal to Strive Towards": Women as Intellectual Organizers at the Paris Exhibition of 1900 Anne R. Epstein Part III: Staging Otherness: Women on and from the Margins 7. African American Women's Voices at the 1893 Chicago World Fair Claudine Raynaud 8. Between Knowledge and Spectacle: Exotic Women at International Exhibitions (Paris, 1889 and 1900) Christiane Demeulenaere-Douyère 9. International Activism After the Fair: New South Wales, Utah, and the 1893 World's Columbian Exhibition James Keating Part IV: Mobilizing Women: National, International, and Transnational Feminism(s) 10. Rendezvous at the Expo: Building a Franco-American Women's Network, 1889-1893-1900 Karen Offen 11. Forging the Transnational out of the International: Feminist Internationalism at World's Fairs and International Exhibitions Tracey Jean Boisseau
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