Diana Donald, now an independent scholar, is the author of Picturing Animals in Britain 1750-1850, and the prize-winning Endless Forms: Charles Darwin, Natural Science and the Visual Arts
Inhaltsangabe
Preface Prefatory note: The archive of the Royal Society for the Prevention of Cruelty to Animals Introduction 1 Sexual distinctions in attitudes to animals in the late Georgian era 2 The early history of the RSPCA: its culture and its conflicts 3 Animal welfare and 'humane education': new roles for women 4 The 'two religions': a gendered divide in Victorian society 5 Anti-vivisection: a feminist cause? 6 Sentiment and 'the spirit of life': new insights at the fin de siècle Index
Preface Prefatory note: The archive of the Royal Society for the Prevention of Cruelty to Animals Introduction 1 Sexual distinctions in attitudes to animals in the late Georgian era 2 The early history of the RSPCA: its culture and its conflicts 3 Animal welfare and 'humane education': new roles for women 4 The 'two religions': a gendered divide in Victorian society 5 Anti-vivisection: a feminist cause? 6 Sentiment and 'the spirit of life': new insights at the fin de siècle Index
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