When Did Indians Become Straight? explores the complex relationship between contested U.S. notions of normality and shifting forms of Native American governance and self-representation. Examining a wide range of texts (including captivity narratives, fiction, government documents, and anthropological tracts), Mark Rifkin offers a cultural and literary history of the ways Native peoples have been inserted into Euramerican discourses of sexuality and how Native intellectuals have sought to reaffirm their peoples' sovereignty and self-determination.
When Did Indians Become Straight? explores the complex relationship between contested U.S. notions of normality and shifting forms of Native American governance and self-representation. Examining a wide range of texts (including captivity narratives, fiction, government documents, and anthropological tracts), Mark Rifkin offers a cultural and literary history of the ways Native peoples have been inserted into Euramerican discourses of sexuality and how Native intellectuals have sought to reaffirm their peoples' sovereignty and self-determination.
Mark Rifkin is Assistant Professor of English at the University of North Carolina at Greensboro. He is the author of Manifesting America: The Imperial Construction of U.S. National Space (OUP 2009).
Inhaltsangabe
* Introduction * 1.: Reproducing the Indian: Racial Birth and Native Geopolitics in Narrative of the Life of Mrs. Mary Jemison and Last of the Mohicans * 2.: Adoption Nation: Catharine Maria Sedgwick, Hendrick Aupaumut, and the Boundaries of Familial Feeling * 3.: Romancing Kinship: Indian Education, the Allotment Program, and Zitkala- * 4.: Allotment Subjectivities and the Administration of "Culture": Ella Deloria, Pine Ridge, and the Indian Reorganization Act * 5.: Finding "Our" History: Gender, Sexuality, and the Space of Peoplehood in Stone Butch Blues and Mohawk Trail * 6.: Tradition and the Contemporary Queer: Sexuality, Nationality, and History in Drowning in Fire
* Introduction * 1.: Reproducing the Indian: Racial Birth and Native Geopolitics in Narrative of the Life of Mrs. Mary Jemison and Last of the Mohicans * 2.: Adoption Nation: Catharine Maria Sedgwick, Hendrick Aupaumut, and the Boundaries of Familial Feeling * 3.: Romancing Kinship: Indian Education, the Allotment Program, and Zitkala- * 4.: Allotment Subjectivities and the Administration of "Culture": Ella Deloria, Pine Ridge, and the Indian Reorganization Act * 5.: Finding "Our" History: Gender, Sexuality, and the Space of Peoplehood in Stone Butch Blues and Mohawk Trail * 6.: Tradition and the Contemporary Queer: Sexuality, Nationality, and History in Drowning in Fire
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