In this ground-breaking study, Paul Laird examines the process and effect of orchestration in West Side Story and Gypsy, two musicals that were among the most significant Broadway shows of the 1950s, and remain important in the modern repertory.
In this ground-breaking study, Paul Laird examines the process and effect of orchestration in West Side Story and Gypsy, two musicals that were among the most significant Broadway shows of the 1950s, and remain important in the modern repertory.
Paul R. Laird is Professor of Musicology at the University of Kansas, where he teaches courses on music history and the history of musical theater, and directs the Instrumental Collegium Musicum. He has also co-written the second edition of Leonard Bernstein: A Research and Information Guide (Routledge)with Hsun Lin.
Inhaltsangabe
Chapter 1: "Introduction" Chapter 2: "Broadway Orchestration in the 1950s" Chapter 3: "West Side Story and Gypsy: Composers and Orchestrators" Chapter 4: "Process and Effect in the Orchestration of West Side Story" Chapter 5: "Process and Effect in the Orchestration of Gypsy" Chapter 6: "Concluding Thoughts: Orchestration and Shared Illusions"
Chapter 1: "Introduction" Chapter 2: "Broadway Orchestration in the 1950s" Chapter 3: "West Side Story and Gypsy: Composers and Orchestrators" Chapter 4: "Process and Effect in the Orchestration of West Side Story" Chapter 5: "Process and Effect in the Orchestration of Gypsy" Chapter 6: "Concluding Thoughts: Orchestration and Shared Illusions"
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