A revisionist account of African masquerade carnivals in transnational context that offers readers a unique perspective on the connecting threads between African cultural trends and African American cultural artifacts
A revisionist account of African masquerade carnivals in transnational context that offers readers a unique perspective on the connecting threads between African cultural trends and African American cultural artifacts
RAPHAEL CHIJIOKE NJOKU is professor of history at Idaho State University.
Inhaltsangabe
Introduction Memory and Masquerade Narratives: The Art of Remembering Aspects of Society and Culture in the Biafra Hinterland Bantu Migrations and Cultural Transnationalism in the Ancient Global Age c.2500 BCE-1400 CE Bight of Biafra Slavery and Diasporic Africa in the Modern Global Age 1400-1800 Igbo Masquerade Dances in the African Diasporas: Symbols and Meanings Unmasking the Masquerade: Counterideologies and Contemporary Practices Idioms of Religion Music Dance and African Art Forms Memory and Masquerade Narratives: The Art of Remembering
Introduction Memory and Masquerade Narratives: The Art of Remembering Aspects of Society and Culture in the Biafra Hinterland Bantu Migrations and Cultural Transnationalism in the Ancient Global Age c.2500 BCE-1400 CE Bight of Biafra Slavery and Diasporic Africa in the Modern Global Age 1400-1800 Igbo Masquerade Dances in the African Diasporas: Symbols and Meanings Unmasking the Masquerade: Counterideologies and Contemporary Practices Idioms of Religion Music Dance and African Art Forms Memory and Masquerade Narratives: The Art of Remembering
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