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American poet, recognised as an intellectual, enigmatic and elegant writer. Writings include: Harmonium and The Necessary Angel. Volume covers the period 1916-1967. Includes a selection of Steven's letters (1966-67).
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American poet, recognised as an intellectual, enigmatic and elegant writer. Writings include: Harmonium and The Necessary Angel. Volume covers the period 1916-1967. Includes a selection of Steven's letters (1966-67).
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Revised edition
- Seitenzahl: 520
- Erscheinungstermin: 6. März 1997
- Englisch
- Abmessung: 216mm x 140mm x 29mm
- Gewicht: 744g
- ISBN-13: 9780415159432
- ISBN-10: 0415159431
- Artikelnr.: 21411083
- Verlag: Taylor & Francis
- Revised edition
- Seitenzahl: 520
- Erscheinungstermin: 6. März 1997
- Englisch
- Abmessung: 216mm x 140mm x 29mm
- Gewicht: 744g
- ISBN-13: 9780415159432
- ISBN-10: 0415159431
- Artikelnr.: 21411083
Charles Doyle
Part 1 Early Reviews; Chapter 1 Shaemas O Sheel
from 'Chicago Poets and Poetry'
Minaret; Chapter 2 Anonymous
from the New York Times; Chapter 3 Ralph Block
from 'The Wisconsin Players Now at the Neighborhood Playhouse'
New York Tribune; Chapter 4 Conrad Aiken
on Stevens' 'delicate originality' of mind
from Scepticisms: Notes on Contemporary Poetry; Chapter 5 Carl Sandburg
from a letter to Louis Untermeyer about The New Era in American Poetry; Chapter 6 Conrad Aiken
on Stevens and the sociological-nationalistic view of poetry
New Republic; Chapter 7 Harriet Monroe
from 'Mr. Yeats and the Poetic Drama'
Poetry; Chapter 8 Yvor Winters
from'A Cool Master'
Poetry; Part 2 Harmonium; Chapter 9 Mark Van Doren
'Poets and Wits'
Nation; Chapter 10 Matthew Josephson
on 'an extraordinary personality'
Broom; Chapter 11 Marjorie Allen Seiffert
from 'The Intellectual Tropics'
Poetry; Chapter 12 John Gould Fletcher
from 'The Revival of Estheticism'
Freeman; Chapter 13 Marianne Moore
'Well Moused
Lion'
Dial; Chapter 14 Allen Tate
on Wallace Stevens as 'radical'
Nashville Tennessean; Chapter 15 Harriet Monroe
on 'a flavorously original poetic personality'
Poetry; Chapter 16 Edmund Wilson
on Stevens' lack of emotion
New Republic; Chapter 17 Llewelyn Powys
'The Thirteenth Way'
Dial; Chapter 18 Louis Untermeyer
on 'a reticence which results in determined obscurity'
Yale Review; Chapter 19 Paul Rosenfeld
on 'Another Pierrot'
from Men Seen - Twenty-Four Modern Authors; Chapter 20 Gorham B. Munson
'The Dandyism of Wallace Stevens'
Dial; Chapter 21 Allen Tate
on Stevens' underlying Puritanism
from 'American Poetry Since 1920'
Bookman; Chapter 22 Alfred Kreymborg
on Stevens as one of the 'Originals and Eccentrics'
from Our Singing Strength; Part 3 Harmonium; Chapter 23 Conrad Aiken
on Stevens as humorist
from a letter to R.P. Blackmur; Chapter 24 Percy Hutchison
'Pure Poetry and Mr. Wallace Stevens'
New York Times Book Review; Chapter 25 Eda Lou
from 'Chicago Poets and Poetry'
Minaret; Chapter 2 Anonymous
from the New York Times; Chapter 3 Ralph Block
from 'The Wisconsin Players Now at the Neighborhood Playhouse'
New York Tribune; Chapter 4 Conrad Aiken
on Stevens' 'delicate originality' of mind
from Scepticisms: Notes on Contemporary Poetry; Chapter 5 Carl Sandburg
from a letter to Louis Untermeyer about The New Era in American Poetry; Chapter 6 Conrad Aiken
on Stevens and the sociological-nationalistic view of poetry
New Republic; Chapter 7 Harriet Monroe
from 'Mr. Yeats and the Poetic Drama'
Poetry; Chapter 8 Yvor Winters
from'A Cool Master'
Poetry; Part 2 Harmonium; Chapter 9 Mark Van Doren
'Poets and Wits'
Nation; Chapter 10 Matthew Josephson
on 'an extraordinary personality'
Broom; Chapter 11 Marjorie Allen Seiffert
from 'The Intellectual Tropics'
Poetry; Chapter 12 John Gould Fletcher
from 'The Revival of Estheticism'
Freeman; Chapter 13 Marianne Moore
'Well Moused
Lion'
Dial; Chapter 14 Allen Tate
on Wallace Stevens as 'radical'
Nashville Tennessean; Chapter 15 Harriet Monroe
on 'a flavorously original poetic personality'
Poetry; Chapter 16 Edmund Wilson
on Stevens' lack of emotion
New Republic; Chapter 17 Llewelyn Powys
'The Thirteenth Way'
Dial; Chapter 18 Louis Untermeyer
on 'a reticence which results in determined obscurity'
Yale Review; Chapter 19 Paul Rosenfeld
on 'Another Pierrot'
from Men Seen - Twenty-Four Modern Authors; Chapter 20 Gorham B. Munson
'The Dandyism of Wallace Stevens'
Dial; Chapter 21 Allen Tate
on Stevens' underlying Puritanism
from 'American Poetry Since 1920'
Bookman; Chapter 22 Alfred Kreymborg
on Stevens as one of the 'Originals and Eccentrics'
from Our Singing Strength; Part 3 Harmonium; Chapter 23 Conrad Aiken
on Stevens as humorist
from a letter to R.P. Blackmur; Chapter 24 Percy Hutchison
'Pure Poetry and Mr. Wallace Stevens'
New York Times Book Review; Chapter 25 Eda Lou
Part 1 Early Reviews; Chapter 1 Shaemas O Sheel
from 'Chicago Poets and Poetry'
Minaret; Chapter 2 Anonymous
from the New York Times; Chapter 3 Ralph Block
from 'The Wisconsin Players Now at the Neighborhood Playhouse'
New York Tribune; Chapter 4 Conrad Aiken
on Stevens' 'delicate originality' of mind
from Scepticisms: Notes on Contemporary Poetry; Chapter 5 Carl Sandburg
from a letter to Louis Untermeyer about The New Era in American Poetry; Chapter 6 Conrad Aiken
on Stevens and the sociological-nationalistic view of poetry
New Republic; Chapter 7 Harriet Monroe
from 'Mr. Yeats and the Poetic Drama'
Poetry; Chapter 8 Yvor Winters
from'A Cool Master'
Poetry; Part 2 Harmonium; Chapter 9 Mark Van Doren
'Poets and Wits'
Nation; Chapter 10 Matthew Josephson
on 'an extraordinary personality'
Broom; Chapter 11 Marjorie Allen Seiffert
from 'The Intellectual Tropics'
Poetry; Chapter 12 John Gould Fletcher
from 'The Revival of Estheticism'
Freeman; Chapter 13 Marianne Moore
'Well Moused
Lion'
Dial; Chapter 14 Allen Tate
on Wallace Stevens as 'radical'
Nashville Tennessean; Chapter 15 Harriet Monroe
on 'a flavorously original poetic personality'
Poetry; Chapter 16 Edmund Wilson
on Stevens' lack of emotion
New Republic; Chapter 17 Llewelyn Powys
'The Thirteenth Way'
Dial; Chapter 18 Louis Untermeyer
on 'a reticence which results in determined obscurity'
Yale Review; Chapter 19 Paul Rosenfeld
on 'Another Pierrot'
from Men Seen - Twenty-Four Modern Authors; Chapter 20 Gorham B. Munson
'The Dandyism of Wallace Stevens'
Dial; Chapter 21 Allen Tate
on Stevens' underlying Puritanism
from 'American Poetry Since 1920'
Bookman; Chapter 22 Alfred Kreymborg
on Stevens as one of the 'Originals and Eccentrics'
from Our Singing Strength; Part 3 Harmonium; Chapter 23 Conrad Aiken
on Stevens as humorist
from a letter to R.P. Blackmur; Chapter 24 Percy Hutchison
'Pure Poetry and Mr. Wallace Stevens'
New York Times Book Review; Chapter 25 Eda Lou
from 'Chicago Poets and Poetry'
Minaret; Chapter 2 Anonymous
from the New York Times; Chapter 3 Ralph Block
from 'The Wisconsin Players Now at the Neighborhood Playhouse'
New York Tribune; Chapter 4 Conrad Aiken
on Stevens' 'delicate originality' of mind
from Scepticisms: Notes on Contemporary Poetry; Chapter 5 Carl Sandburg
from a letter to Louis Untermeyer about The New Era in American Poetry; Chapter 6 Conrad Aiken
on Stevens and the sociological-nationalistic view of poetry
New Republic; Chapter 7 Harriet Monroe
from 'Mr. Yeats and the Poetic Drama'
Poetry; Chapter 8 Yvor Winters
from'A Cool Master'
Poetry; Part 2 Harmonium; Chapter 9 Mark Van Doren
'Poets and Wits'
Nation; Chapter 10 Matthew Josephson
on 'an extraordinary personality'
Broom; Chapter 11 Marjorie Allen Seiffert
from 'The Intellectual Tropics'
Poetry; Chapter 12 John Gould Fletcher
from 'The Revival of Estheticism'
Freeman; Chapter 13 Marianne Moore
'Well Moused
Lion'
Dial; Chapter 14 Allen Tate
on Wallace Stevens as 'radical'
Nashville Tennessean; Chapter 15 Harriet Monroe
on 'a flavorously original poetic personality'
Poetry; Chapter 16 Edmund Wilson
on Stevens' lack of emotion
New Republic; Chapter 17 Llewelyn Powys
'The Thirteenth Way'
Dial; Chapter 18 Louis Untermeyer
on 'a reticence which results in determined obscurity'
Yale Review; Chapter 19 Paul Rosenfeld
on 'Another Pierrot'
from Men Seen - Twenty-Four Modern Authors; Chapter 20 Gorham B. Munson
'The Dandyism of Wallace Stevens'
Dial; Chapter 21 Allen Tate
on Stevens' underlying Puritanism
from 'American Poetry Since 1920'
Bookman; Chapter 22 Alfred Kreymborg
on Stevens as one of the 'Originals and Eccentrics'
from Our Singing Strength; Part 3 Harmonium; Chapter 23 Conrad Aiken
on Stevens as humorist
from a letter to R.P. Blackmur; Chapter 24 Percy Hutchison
'Pure Poetry and Mr. Wallace Stevens'
New York Times Book Review; Chapter 25 Eda Lou