This book embraces philosophical and artistic perspectives, analyzing Stevens's place within Modernist debates concerning literature, painting, and representation.
This book embraces philosophical and artistic perspectives, analyzing Stevens's place within Modernist debates concerning literature, painting, and representation.
Edward Ragg is Associate Professor of English at Tsinghua University, Beijing. He is also a poet, wine writer and co-editor of Wallace Stevens across the Atlantic (2008).
Inhaltsangabe
Acknowledgments List of abbreviations Introduction: 'Stevensian' and the question of abstraction 1935-2009 1. The abstract impulse: from anecdote to 'new romantic' in Harmonium (1923) and Ideas of Order (1935) 2. The turn to abstraction: Owl's Clover (1936) and the 'un-locatable' speaker in The Man with the Blue Guitar (1937) 3. The 'in-visible' abstract: Stevens' idealism from Coleridge to Merleau-Ponty 4. Abstract figures: the curious case of the idealist 'I' 5. Abstract appetites: food, wine and the idealist 'I' 6. The pure good of theory: a new abstract emphasis 7. Bourgeois abstraction: poetry, painting and the idea of mastery in late Stevens.
Acknowledgments List of abbreviations Introduction: 'Stevensian' and the question of abstraction 1935-2009 1. The abstract impulse: from anecdote to 'new romantic' in Harmonium (1923) and Ideas of Order (1935) 2. The turn to abstraction: Owl's Clover (1936) and the 'un-locatable' speaker in The Man with the Blue Guitar (1937) 3. The 'in-visible' abstract: Stevens' idealism from Coleridge to Merleau-Ponty 4. Abstract figures: the curious case of the idealist 'I' 5. Abstract appetites: food, wine and the idealist 'I' 6. The pure good of theory: a new abstract emphasis 7. Bourgeois abstraction: poetry, painting and the idea of mastery in late Stevens.
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