Foster explores how Wagner's political stance and his theories on Greek poetry and politics were combined to create the Ring.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Daniel H. Foster is Assistant Professor of Theater Studies at Duke University, and Visiting Scholar at the American Academy of Arts and Sciences.
Inhaltsangabe
Preface Introduction Part I. Epic: 1. Introduction: what is epic? 2. Retrospective narrative and the epic process 3. The orchestral narrator and elementary epic 4. Spiritual and factual realities in epic Part II. Lyric: 5. Introduction: what is lyric? 6. Orpheus and lyric liberation 7. First-person opera and lyric identity 8. Lyric and the rebirth of tragedy Part III. Drama: 9. Introduction: what is drama? 10. Opera and tragedy 11. Opera and comedy 12. Resolution and ambiguity in comedy and tragedy Epilogue: Time, the Ring, and performance studies Appendices: Wagner's primary and secondary sources: Introduction Appendix A. Wagner's primary sources Appendix B. secondary scholarship by authors Wagner knew personally Appendix C. Secondary scholarship by authors Wagner knew by reputation or by reading Bibliography.
Preface Introduction Part I. Epic: 1. Introduction: what is epic? 2. Retrospective narrative and the epic process 3. The orchestral narrator and elementary epic 4. Spiritual and factual realities in epic Part II. Lyric: 5. Introduction: what is lyric? 6. Orpheus and lyric liberation 7. First-person opera and lyric identity 8. Lyric and the rebirth of tragedy Part III. Drama: 9. Introduction: what is drama? 10. Opera and tragedy 11. Opera and comedy 12. Resolution and ambiguity in comedy and tragedy Epilogue: Time, the Ring, and performance studies Appendices: Wagner's primary and secondary sources: Introduction Appendix A. Wagner's primary sources Appendix B. secondary scholarship by authors Wagner knew personally Appendix C. Secondary scholarship by authors Wagner knew by reputation or by reading Bibliography.
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