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Develop your creative voice whilst acquiring the practical skills and confidence to use it with this fully updated new edition. Providing a solid grounding in the tools, techniques, and processes of narrative film, this comprehensive manual covers all the essentials whilst foregrounding artistic vision throughout.
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Develop your creative voice whilst acquiring the practical skills and confidence to use it with this fully updated new edition. Providing a solid grounding in the tools, techniques, and processes of narrative film, this comprehensive manual covers all the essentials whilst foregrounding artistic vision throughout.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 672
- Erscheinungstermin: 12. September 2024
- Abmessung: 280mm x 210mm
- ISBN-13: 9780367758684
- ISBN-10: 0367758687
- Artikelnr.: 70142552
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 672
- Erscheinungstermin: 12. September 2024
- Abmessung: 280mm x 210mm
- ISBN-13: 9780367758684
- ISBN-10: 0367758687
- Artikelnr.: 70142552
Mick Hurbis-Cherrier has been teaching all levels of film production at Hunter College in New York City for well over a decade. He works professionally in both film and video and has performed a wide range of duties, including producing, writing, directing, cinematography, and editing. His films have been shown around the country and have garnered prizes at a number of festivals. He is also the co-author of Directing: Film Techniques and Aesthetics (2020), now in its sixth edition. Gustavo Mercado is an award-winning independent filmmaker with well over a decade of experience as a writer, director, and cinematographer of narrative films. The first edition of The Filmmaker's Eye: Learning (and Breaking) the Rules of Cinematic Composition, was translated into French, Spanish, Chinese, Polish, Turkish, Portuguese, Japanese, and Korean, and is being used by film programs at colleges and universities worldwide. His second title in the Filmmaker's Eye film book series, The Language of the Lens: The Power of Lenses and The Expressive Cinematic Image was translated into Turkish, Spanish, Chinese, Japanese, Korean, and Ukranian. He teaches cinematography, editing, screenwriting, and film production at Hunter College's Film & Media Studies Department in New York City.
DEDICATION
COMPANION WEBSITE CONTENTS
ACKNOWLEDGMENTS
INTRODUCTION
WHAT'S NEW IN THE FOURTH EDITION
PART I DEVELOPING YOUR FILM ON PAPER
CHAPTER 1: FROM IDEA TO CINEMATIC STORY
CHAPTER 2: THE SCREENPLAY
CHAPTER 3: THE VISUAL LANGUAGE AND AESTHETICS OF CINEMA
CHAPTER 4: ORGANIZING CINEMATIC TIME AND SPACE
CHAPTER 5: FROM SCREENPLAY TO VISUAL PLAN
PART II PREPARING FOR PRODUCTION
CHAPTER 6: PREPARING FOR PRODUCTION
CHAPTER 7: THE CAST AND CREW
PART III TOOLS AND TECHNIQUES: PRODUCTION
CHAPTER 8: THE DIGITAL VIDEO SYSTEM
CHAPTER 9: THE DIGITAL VIDEO CAMERA
CHAPTER 10: THE CAMERA LENS
CHAPTER 11: CAMERA SUPPORT
CHAPTER 12: BASICS OF EXPOSURE
CHAPTER 13: BASICS OF LIGHT AND LIGHTING
CHAPTER 14: LIGHTING AND EXPOSURE: BEYOND THE BASICS
CHAPTER 15: SOUND FOR PRODUCTION
CHAPTER 16: LOCATION SOUND TECHNIQUES
CHAPTER 17: ON-SET PROCEDURES
CHAPTER 18: SET ETIQUETTE AND PRODUCTION SAFETY
Part IV Tools and Techniques: Postproduction
CHAPTER 19: POSTPRODUCTION OVERVIEW: WORKFLOW AND THE EDITING STAGES
CHAPTER 20: THE ART AND TECHNIQUE OF EDITING
CHAPTER 21: THE SOUND DESIGN IN FILM
CHAPTER 22: GRADING, MASTERING, AND DISTRIBUTION
BIBLIOGRAPHY
FILMOGRAPHY
PHOTO AND ILLUSTRATION CREDITS
INDEX
COMPANION WEBSITE CONTENTS
ACKNOWLEDGMENTS
INTRODUCTION
WHAT'S NEW IN THE FOURTH EDITION
PART I DEVELOPING YOUR FILM ON PAPER
CHAPTER 1: FROM IDEA TO CINEMATIC STORY
CHAPTER 2: THE SCREENPLAY
CHAPTER 3: THE VISUAL LANGUAGE AND AESTHETICS OF CINEMA
CHAPTER 4: ORGANIZING CINEMATIC TIME AND SPACE
CHAPTER 5: FROM SCREENPLAY TO VISUAL PLAN
PART II PREPARING FOR PRODUCTION
CHAPTER 6: PREPARING FOR PRODUCTION
CHAPTER 7: THE CAST AND CREW
PART III TOOLS AND TECHNIQUES: PRODUCTION
CHAPTER 8: THE DIGITAL VIDEO SYSTEM
CHAPTER 9: THE DIGITAL VIDEO CAMERA
CHAPTER 10: THE CAMERA LENS
CHAPTER 11: CAMERA SUPPORT
CHAPTER 12: BASICS OF EXPOSURE
CHAPTER 13: BASICS OF LIGHT AND LIGHTING
CHAPTER 14: LIGHTING AND EXPOSURE: BEYOND THE BASICS
CHAPTER 15: SOUND FOR PRODUCTION
CHAPTER 16: LOCATION SOUND TECHNIQUES
CHAPTER 17: ON-SET PROCEDURES
CHAPTER 18: SET ETIQUETTE AND PRODUCTION SAFETY
Part IV Tools and Techniques: Postproduction
CHAPTER 19: POSTPRODUCTION OVERVIEW: WORKFLOW AND THE EDITING STAGES
CHAPTER 20: THE ART AND TECHNIQUE OF EDITING
CHAPTER 21: THE SOUND DESIGN IN FILM
CHAPTER 22: GRADING, MASTERING, AND DISTRIBUTION
BIBLIOGRAPHY
FILMOGRAPHY
PHOTO AND ILLUSTRATION CREDITS
INDEX
DEDICATION
COMPANION WEBSITE CONTENTS
ACKNOWLEDGMENTS
INTRODUCTION
WHAT'S NEW IN THE FOURTH EDITION
PART I DEVELOPING YOUR FILM ON PAPER
CHAPTER 1: FROM IDEA TO CINEMATIC STORY
CHAPTER 2: THE SCREENPLAY
CHAPTER 3: THE VISUAL LANGUAGE AND AESTHETICS OF CINEMA
CHAPTER 4: ORGANIZING CINEMATIC TIME AND SPACE
CHAPTER 5: FROM SCREENPLAY TO VISUAL PLAN
PART II PREPARING FOR PRODUCTION
CHAPTER 6: PREPARING FOR PRODUCTION
CHAPTER 7: THE CAST AND CREW
PART III TOOLS AND TECHNIQUES: PRODUCTION
CHAPTER 8: THE DIGITAL VIDEO SYSTEM
CHAPTER 9: THE DIGITAL VIDEO CAMERA
CHAPTER 10: THE CAMERA LENS
CHAPTER 11: CAMERA SUPPORT
CHAPTER 12: BASICS OF EXPOSURE
CHAPTER 13: BASICS OF LIGHT AND LIGHTING
CHAPTER 14: LIGHTING AND EXPOSURE: BEYOND THE BASICS
CHAPTER 15: SOUND FOR PRODUCTION
CHAPTER 16: LOCATION SOUND TECHNIQUES
CHAPTER 17: ON-SET PROCEDURES
CHAPTER 18: SET ETIQUETTE AND PRODUCTION SAFETY
Part IV Tools and Techniques: Postproduction
CHAPTER 19: POSTPRODUCTION OVERVIEW: WORKFLOW AND THE EDITING STAGES
CHAPTER 20: THE ART AND TECHNIQUE OF EDITING
CHAPTER 21: THE SOUND DESIGN IN FILM
CHAPTER 22: GRADING, MASTERING, AND DISTRIBUTION
BIBLIOGRAPHY
FILMOGRAPHY
PHOTO AND ILLUSTRATION CREDITS
INDEX
COMPANION WEBSITE CONTENTS
ACKNOWLEDGMENTS
INTRODUCTION
WHAT'S NEW IN THE FOURTH EDITION
PART I DEVELOPING YOUR FILM ON PAPER
CHAPTER 1: FROM IDEA TO CINEMATIC STORY
CHAPTER 2: THE SCREENPLAY
CHAPTER 3: THE VISUAL LANGUAGE AND AESTHETICS OF CINEMA
CHAPTER 4: ORGANIZING CINEMATIC TIME AND SPACE
CHAPTER 5: FROM SCREENPLAY TO VISUAL PLAN
PART II PREPARING FOR PRODUCTION
CHAPTER 6: PREPARING FOR PRODUCTION
CHAPTER 7: THE CAST AND CREW
PART III TOOLS AND TECHNIQUES: PRODUCTION
CHAPTER 8: THE DIGITAL VIDEO SYSTEM
CHAPTER 9: THE DIGITAL VIDEO CAMERA
CHAPTER 10: THE CAMERA LENS
CHAPTER 11: CAMERA SUPPORT
CHAPTER 12: BASICS OF EXPOSURE
CHAPTER 13: BASICS OF LIGHT AND LIGHTING
CHAPTER 14: LIGHTING AND EXPOSURE: BEYOND THE BASICS
CHAPTER 15: SOUND FOR PRODUCTION
CHAPTER 16: LOCATION SOUND TECHNIQUES
CHAPTER 17: ON-SET PROCEDURES
CHAPTER 18: SET ETIQUETTE AND PRODUCTION SAFETY
Part IV Tools and Techniques: Postproduction
CHAPTER 19: POSTPRODUCTION OVERVIEW: WORKFLOW AND THE EDITING STAGES
CHAPTER 20: THE ART AND TECHNIQUE OF EDITING
CHAPTER 21: THE SOUND DESIGN IN FILM
CHAPTER 22: GRADING, MASTERING, AND DISTRIBUTION
BIBLIOGRAPHY
FILMOGRAPHY
PHOTO AND ILLUSTRATION CREDITS
INDEX