-- Eric Isaacson is expertly trained to see the subtleties in how various kinds of visual images, representations, diagrams, and displays communicate, or fail to readily convey, crucial information according to praise from Robert Hatten. He has published, presented, and taught on visualizing music for over 28 years. -- This book serves music scholars by offering a guide to effectively communicate visually. It has the potential to spark further research leading to the development of new approaches in visualization and expansions to existing methodologies. -- Visualizations are powerful agents…mehr
-- Eric Isaacson is expertly trained to see the subtleties in how various kinds of visual images, representations, diagrams, and displays communicate, or fail to readily convey, crucial information according to praise from Robert Hatten. He has published, presented, and taught on visualizing music for over 28 years. -- This book serves music scholars by offering a guide to effectively communicate visually. It has the potential to spark further research leading to the development of new approaches in visualization and expansions to existing methodologies. -- Visualizations are powerful agents of musical meaning, so publication as part of IUP's Musical Meaning and Interpretation series is fitting. -- The target audience includes scholars and advanced students in music theory, musicology, and visualization in the arts.
Preface Acknowledgments Accessing Audiovisual Materials Introduction Part 1: Preliminaries 1. Leveraging the Power of the Brain 2. The Role of Metaphor 3. Multivariate Images 4. Telling a Story 5. Facilitating Comparison 6. Information Layers 7. Information Integration 8. Making Every Part of an Image Count 9. Presenting Tabular Data 10. Small Multiples 11. Using Color 12. Additional General Principles 13. Case Study: Western Notation Part 2: Musical Spaces 14. Pitch Spaces 15. Collections, Scales, and Modes 16. The Circle of Fifths 17. The Tonnetz 18. Atonal Spaces 19. Symmetrical Pitch Structures 20. Tonal Hierarchy, Tendency, Progression 21. The Overtone Series Part 3: Musical Time 22. Basic Durations 23. Unmeasured Musical Time 24. Musically Measured Musical Time 25. Externally Measured Musical Time (Performance Timing) 26. Proportion Part 4: Pitch, Texture, Timbre, Form 27. Textual Representations of Pitch 28. Piano Roll Notation 29. Alternate Notational Systems 30. Tuning and Temperament 31. Microtuning 32. Timbre 33. Texture 34. Voice Leading 35. Schematic and Procedural Representations 36. Formal Models 37. Pitch-Class Set Tables 38. Instrument Ranges 39. Translations Part 5: Music Analysis 40. Lutos¿awksi's Jeux Venitiens 41. Annotating Musical Scores 42. Thematic Analysis 43. Contour Analysis 44. Tonal Plans 45. Symmetry in Music Analysis 46. Rhythmic Analysis 47. Formal Analysis 48. Hierarchy in Music 49. Serialism 50. Corpus Studies 51. Musical Chronologies, Influences, and Styles 52. Animation Part 6: Visualization in the Professional Realm 53. Conference Handouts 54. Presentation Slide Shows 55. Conference Posters 56. Print Publication 57. The Essential Visualization Toolbox Epilogue Bibliography Index
Preface Acknowledgments Accessing Audiovisual Materials Introduction Part 1: Preliminaries 1. Leveraging the Power of the Brain 2. The Role of Metaphor 3. Multivariate Images 4. Telling a Story 5. Facilitating Comparison 6. Information Layers 7. Information Integration 8. Making Every Part of an Image Count 9. Presenting Tabular Data 10. Small Multiples 11. Using Color 12. Additional General Principles 13. Case Study: Western Notation Part 2: Musical Spaces 14. Pitch Spaces 15. Collections, Scales, and Modes 16. The Circle of Fifths 17. The Tonnetz 18. Atonal Spaces 19. Symmetrical Pitch Structures 20. Tonal Hierarchy, Tendency, Progression 21. The Overtone Series Part 3: Musical Time 22. Basic Durations 23. Unmeasured Musical Time 24. Musically Measured Musical Time 25. Externally Measured Musical Time (Performance Timing) 26. Proportion Part 4: Pitch, Texture, Timbre, Form 27. Textual Representations of Pitch 28. Piano Roll Notation 29. Alternate Notational Systems 30. Tuning and Temperament 31. Microtuning 32. Timbre 33. Texture 34. Voice Leading 35. Schematic and Procedural Representations 36. Formal Models 37. Pitch-Class Set Tables 38. Instrument Ranges 39. Translations Part 5: Music Analysis 40. Lutos¿awksi's Jeux Venitiens 41. Annotating Musical Scores 42. Thematic Analysis 43. Contour Analysis 44. Tonal Plans 45. Symmetry in Music Analysis 46. Rhythmic Analysis 47. Formal Analysis 48. Hierarchy in Music 49. Serialism 50. Corpus Studies 51. Musical Chronologies, Influences, and Styles 52. Animation Part 6: Visualization in the Professional Realm 53. Conference Handouts 54. Presentation Slide Shows 55. Conference Posters 56. Print Publication 57. The Essential Visualization Toolbox Epilogue Bibliography Index
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