Examining the notion of time in art history, Keith Moxey argues that looking at a work of art creates an experience of time for the viewer distinct from the work's place in the history of art.
Examining the notion of time in art history, Keith Moxey argues that looking at a work of art creates an experience of time for the viewer distinct from the work's place in the history of art.
Keith Moxey is Barbara Novak Professor of Art History at Barnard College and Columbia University. He is the author of many books, including The Practice of Persuasion: Paradox and Power in Art History; The Practice of Theory: Poststructuralism, Cultural Politics, and Art History; and Peasants, Warriors, and Wives: Popular Imagery in the Reformation.
Inhaltsangabe
List of Illustrations ix Acknowledgments xi Introduction 1 Part I. Time 9 1. Is Modernity Multiple? 11 2. Do We Still Need a Renaissance? 23 3. Contemporaneity's Heterochronicity 37 Part II. History 51 4. Visual Studies and the Iconic Turn 53 5. Bruegel's Crows 77 6. Mimesis and Iconoclasm 107 7. Impossible Distance 139 Conclusion 173 Bibliography 177 Index 199
List of Illustrations ix Acknowledgments xi Introduction 1 Part I. Time 9 1. Is Modernity Multiple? 11 2. Do We Still Need a Renaissance? 23 3. Contemporaneity's Heterochronicity 37 Part II. History 51 4. Visual Studies and the Iconic Turn 53 5. Bruegel's Crows 77 6. Mimesis and Iconoclasm 107 7. Impossible Distance 139 Conclusion 173 Bibliography 177 Index 199
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