First book to bring together the wide range of violent entertainments that characterised popular culture in nineteenth-century London and seriously assesses their origins, functions and impact. Draws upon the methodologies of social and cultural history to better understand the texture of Victorian society, and the mental world of the lower orders.
First book to bring together the wide range of violent entertainments that characterised popular culture in nineteenth-century London and seriously assesses their origins, functions and impact. Draws upon the methodologies of social and cultural history to better understand the texture of Victorian society, and the mental world of the lower orders.
Rosalind Crone is Lecturer in History at the Open University.
Inhaltsangabe
List of figures, tables and diagrams Acknowledgements Prologue 1. London 1800-50: Coping with change, expressing resistance 2. About town with Mr Punch 3. From scaffold culture to the cult of the murderer 4. The 'Blood-Stained Stage' revisited 5. Selling Sweeney Todd to the masses 6. The rise of modern crime reporting Epilogue: 1870 - The Civilising Moment? Bibliography Index
List of figures, tables and diagrams Acknowledgements Prologue 1. London 1800-50: Coping with change, expressing resistance 2. About town with Mr Punch 3. From scaffold culture to the cult of the murderer 4. The 'Blood-Stained Stage' revisited 5. Selling Sweeney Todd to the masses 6. The rise of modern crime reporting Epilogue: 1870 - The Civilising Moment? Bibliography Index
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