Explores the way that characters and figures in Victorian literature and visual art encountered and observed the bodies of others, particularly those bodies which were aberrant, deformed, and disabled.
Explores the way that characters and figures in Victorian literature and visual art encountered and observed the bodies of others, particularly those bodies which were aberrant, deformed, and disabled.
Natalie Prizel is a scholar of nineteenth-century British literature and art, focused on queer and disability theory and comparative approaches to race. She was Andrew W. Mellon Senior Fellowship in European Painting at the Metropolitan Museum of Art and the Haarlow-Cotsen Fellow in English and Humanistic Studies in the Princeton Society of Fellows. Previously, she was a Visiting Assistant Professor at Bard College. Her work has appeared in Victorian Studies, Victorian Literature and Culture, GLQ, Victorian Poetry , and Literature Compass. She is working on another book entitled Pre-Raphaelite in Black, treating the presence of black subjects in Pre-Raphaelite art.
Inhaltsangabe
Introduction PART ONE 1: Art Work 2: The Ruskinian Draughtsman PART TWO 3: The Beggars' Opera 4: The Dead Man Come to Life PART THREE 5: The Genre of Blindness 6: Stunners Epilogue: What We Have Lost Appendix: Edward Albert, The Dead Man Come to Life
Introduction PART ONE 1: Art Work 2: The Ruskinian Draughtsman PART TWO 3: The Beggars' Opera 4: The Dead Man Come to Life PART THREE 5: The Genre of Blindness 6: Stunners Epilogue: What We Have Lost Appendix: Edward Albert, The Dead Man Come to Life
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