Released in 1958, Vertigo is Alfred Hitchock's masterpiece and one of the greatest films of all time. This is the first book to explore the philosophical aspects of Hitchcock's film. Including annotated further reading at the end of each chapter, Vertigo is essential reading for students interested in Vertigo and studying philosophy and film studies.
Released in 1958, Vertigo is Alfred Hitchock's masterpiece and one of the greatest films of all time. This is the first book to explore the philosophical aspects of Hitchcock's film. Including annotated further reading at the end of each chapter, Vertigo is essential reading for students interested in Vertigo and studying philosophy and film studies.
Katalin Makkai is Junior Professor of Philosophy at ECLA of Bard, Berlin (Germany). She is the author of "Kant on Recognizing Beauty," which appeared in European Journal of Philosophy.
Inhaltsangabe
Introduction Katalin Makkai 1. Magic and Art in Vertigo Nickolas Pappas 2. Scottie's Dream Judy's Plan Madeleine's Revenge William Rothman 3. Vertigo: The Impossible Love Noël Carroll 4. Offensive Charles Warren 5. A Made-to-Order Witness: Women's Knowledge in Vertigo Gregg M. Horowitz 6. Vertigo and Being Seen Katalin Makkai 7. Being-in-(Techni)Color Eli Friedlander 8. Vertigo and the Spectator of Film Analysis Andrew Klevan. Index
Introduction Katalin Makkai 1. Magic and Art in Vertigo Nickolas Pappas 2. Scottie's Dream Judy's Plan Madeleine's Revenge William Rothman 3. Vertigo: The Impossible Love Noël Carroll 4. Offensive Charles Warren 5. A Made-to-Order Witness: Women's Knowledge in Vertigo Gregg M. Horowitz 6. Vertigo and Being Seen Katalin Makkai 7. Being-in-(Techni)Color Eli Friedlander 8. Vertigo and the Spectator of Film Analysis Andrew Klevan. Index
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