Urban Art and the City
Creating, Destroying, and Reclaiming the Sublime
Herausgeber: Loukaki, Argyro
Urban Art and the City
Creating, Destroying, and Reclaiming the Sublime
Herausgeber: Loukaki, Argyro
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This book offers original interdisciplinary insights into cities as a diachronic creation of urban art. It engages in a sequence of historical perspectives to examine urban space as an object of apparent quasi-cycles and processes of constitution, exaltation, imitation, contestation and redemption through art.
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This book offers original interdisciplinary insights into cities as a diachronic creation of urban art. It engages in a sequence of historical perspectives to examine urban space as an object of apparent quasi-cycles and processes of constitution, exaltation, imitation, contestation and redemption through art.
Produktdetails
- Produktdetails
- Verlag: CRC Press
- Seitenzahl: 246
- Erscheinungstermin: 14. September 2020
- Englisch
- Abmessung: 234mm x 156mm x 16mm
- Gewicht: 549g
- ISBN-13: 9780367132965
- ISBN-10: 0367132966
- Artikelnr.: 59986345
- Verlag: CRC Press
- Seitenzahl: 246
- Erscheinungstermin: 14. September 2020
- Englisch
- Abmessung: 234mm x 156mm x 16mm
- Gewicht: 549g
- ISBN-13: 9780367132965
- ISBN-10: 0367132966
- Artikelnr.: 59986345
Argyro Loukaki is Professor of Greek Art, Architecture and Urban Planning at the Hellenic Open University (HOU). Her research interests include space conception, representation and aesthetics; art in the urban and architectonic space; cultural heritage and restoration of monuments; Mediterranean cultural geography, art, architecture and landscape; the geographical unconscious; links between architecture, art, planning and literature. Her previously published titles with Routledge are Living Ruins, Value Conflicts and The Geographical Unconscious.
Introduction. Urban Art Between Archetypal Sublimity and Ultramodern
Insurgency Part 1: Creating, Imitating and Destroying the Urban Sublime and
Its Materiality: From Athenian Classicism to Neoclassicism and the Present
1. Ancient Greek Cities as Works of Art 2. Assaulting the Archetypes: Urban
Materiality and the Current Adulation and Hatred for Marble in Athens Part
2: The Artistic Sublime of the Byzantine Cosmopolis: Between Imitation of
Classicism and the Christian Dogma 3. On Real and Imaginary Cities. Textual
and Visual Representation of Cities and the Perception of Urban Space in
the Byzantine World 4. Art as Carrier of the Identity and Reflection of the
Great Polis (Constantinople) and the Sacred Polis (Jerusalem) in Byzantine
Provinces 5. Depictions of the Virgin in an 11th-Century Panel at Sinai as
Perception of the City of Constantinople 6. Between Convention and Reality.
Visual Approaches to the City in Post-Byzantine Icon Painting Part 3:
Current Crisis and Urban Insurgency as Contestation of the Urban
Sublime: From Comprehensive Theory to Athenian Praxis 7. Urban Insurgency
as Political Art 8. Athens, Invisible City: From Neoclassical
Re-Construction to the Dystopia of the Crisis and Its Contestation by the
Urban Grassroots 9. Bodies in the City: Athenian Street Art and the
Biopolitics of the 'Greek Crisis' Part 4: (Re)-Constituting the Sublime
City: Nature, Sculpture, Architecture, Film and Politics in Representations
of Modern and Ultramodern Space 10. Urban Gardening as a Collective
Participatory Art: Landscape and Political Qualities Related to the Concept
of the 'Sublime' 11. 'Trikoupis Refuses to Unveil Himself in Order Not To
See.' A Memorial Statue and National Identity in Early 20th-Century Greece
12. Dialogues with Modernity in the City of Ioannina: Aris Konstantinidis,
Natalia Mela and Paris Prekas 13. Painting Versions of the Athenian
Landscape: Spyros Vassiliou and Yiannis Adamakis 14. The Mythical Landscape
of Andrei Tarkovsky: Notes on the Interpretation of Cinematic Space in
Stalker Conclusions
Insurgency Part 1: Creating, Imitating and Destroying the Urban Sublime and
Its Materiality: From Athenian Classicism to Neoclassicism and the Present
1. Ancient Greek Cities as Works of Art 2. Assaulting the Archetypes: Urban
Materiality and the Current Adulation and Hatred for Marble in Athens Part
2: The Artistic Sublime of the Byzantine Cosmopolis: Between Imitation of
Classicism and the Christian Dogma 3. On Real and Imaginary Cities. Textual
and Visual Representation of Cities and the Perception of Urban Space in
the Byzantine World 4. Art as Carrier of the Identity and Reflection of the
Great Polis (Constantinople) and the Sacred Polis (Jerusalem) in Byzantine
Provinces 5. Depictions of the Virgin in an 11th-Century Panel at Sinai as
Perception of the City of Constantinople 6. Between Convention and Reality.
Visual Approaches to the City in Post-Byzantine Icon Painting Part 3:
Current Crisis and Urban Insurgency as Contestation of the Urban
Sublime: From Comprehensive Theory to Athenian Praxis 7. Urban Insurgency
as Political Art 8. Athens, Invisible City: From Neoclassical
Re-Construction to the Dystopia of the Crisis and Its Contestation by the
Urban Grassroots 9. Bodies in the City: Athenian Street Art and the
Biopolitics of the 'Greek Crisis' Part 4: (Re)-Constituting the Sublime
City: Nature, Sculpture, Architecture, Film and Politics in Representations
of Modern and Ultramodern Space 10. Urban Gardening as a Collective
Participatory Art: Landscape and Political Qualities Related to the Concept
of the 'Sublime' 11. 'Trikoupis Refuses to Unveil Himself in Order Not To
See.' A Memorial Statue and National Identity in Early 20th-Century Greece
12. Dialogues with Modernity in the City of Ioannina: Aris Konstantinidis,
Natalia Mela and Paris Prekas 13. Painting Versions of the Athenian
Landscape: Spyros Vassiliou and Yiannis Adamakis 14. The Mythical Landscape
of Andrei Tarkovsky: Notes on the Interpretation of Cinematic Space in
Stalker Conclusions
Introduction. Urban Art Between Archetypal Sublimity and Ultramodern
Insurgency Part 1: Creating, Imitating and Destroying the Urban Sublime and
Its Materiality: From Athenian Classicism to Neoclassicism and the Present
1. Ancient Greek Cities as Works of Art 2. Assaulting the Archetypes: Urban
Materiality and the Current Adulation and Hatred for Marble in Athens Part
2: The Artistic Sublime of the Byzantine Cosmopolis: Between Imitation of
Classicism and the Christian Dogma 3. On Real and Imaginary Cities. Textual
and Visual Representation of Cities and the Perception of Urban Space in
the Byzantine World 4. Art as Carrier of the Identity and Reflection of the
Great Polis (Constantinople) and the Sacred Polis (Jerusalem) in Byzantine
Provinces 5. Depictions of the Virgin in an 11th-Century Panel at Sinai as
Perception of the City of Constantinople 6. Between Convention and Reality.
Visual Approaches to the City in Post-Byzantine Icon Painting Part 3:
Current Crisis and Urban Insurgency as Contestation of the Urban
Sublime: From Comprehensive Theory to Athenian Praxis 7. Urban Insurgency
as Political Art 8. Athens, Invisible City: From Neoclassical
Re-Construction to the Dystopia of the Crisis and Its Contestation by the
Urban Grassroots 9. Bodies in the City: Athenian Street Art and the
Biopolitics of the 'Greek Crisis' Part 4: (Re)-Constituting the Sublime
City: Nature, Sculpture, Architecture, Film and Politics in Representations
of Modern and Ultramodern Space 10. Urban Gardening as a Collective
Participatory Art: Landscape and Political Qualities Related to the Concept
of the 'Sublime' 11. 'Trikoupis Refuses to Unveil Himself in Order Not To
See.' A Memorial Statue and National Identity in Early 20th-Century Greece
12. Dialogues with Modernity in the City of Ioannina: Aris Konstantinidis,
Natalia Mela and Paris Prekas 13. Painting Versions of the Athenian
Landscape: Spyros Vassiliou and Yiannis Adamakis 14. The Mythical Landscape
of Andrei Tarkovsky: Notes on the Interpretation of Cinematic Space in
Stalker Conclusions
Insurgency Part 1: Creating, Imitating and Destroying the Urban Sublime and
Its Materiality: From Athenian Classicism to Neoclassicism and the Present
1. Ancient Greek Cities as Works of Art 2. Assaulting the Archetypes: Urban
Materiality and the Current Adulation and Hatred for Marble in Athens Part
2: The Artistic Sublime of the Byzantine Cosmopolis: Between Imitation of
Classicism and the Christian Dogma 3. On Real and Imaginary Cities. Textual
and Visual Representation of Cities and the Perception of Urban Space in
the Byzantine World 4. Art as Carrier of the Identity and Reflection of the
Great Polis (Constantinople) and the Sacred Polis (Jerusalem) in Byzantine
Provinces 5. Depictions of the Virgin in an 11th-Century Panel at Sinai as
Perception of the City of Constantinople 6. Between Convention and Reality.
Visual Approaches to the City in Post-Byzantine Icon Painting Part 3:
Current Crisis and Urban Insurgency as Contestation of the Urban
Sublime: From Comprehensive Theory to Athenian Praxis 7. Urban Insurgency
as Political Art 8. Athens, Invisible City: From Neoclassical
Re-Construction to the Dystopia of the Crisis and Its Contestation by the
Urban Grassroots 9. Bodies in the City: Athenian Street Art and the
Biopolitics of the 'Greek Crisis' Part 4: (Re)-Constituting the Sublime
City: Nature, Sculpture, Architecture, Film and Politics in Representations
of Modern and Ultramodern Space 10. Urban Gardening as a Collective
Participatory Art: Landscape and Political Qualities Related to the Concept
of the 'Sublime' 11. 'Trikoupis Refuses to Unveil Himself in Order Not To
See.' A Memorial Statue and National Identity in Early 20th-Century Greece
12. Dialogues with Modernity in the City of Ioannina: Aris Konstantinidis,
Natalia Mela and Paris Prekas 13. Painting Versions of the Athenian
Landscape: Spyros Vassiliou and Yiannis Adamakis 14. The Mythical Landscape
of Andrei Tarkovsky: Notes on the Interpretation of Cinematic Space in
Stalker Conclusions